Plate 40 belongs to a series by R

The themes of transit and historical discovery that recur in Simon Starling’s work are central to the development of his sculpture

The title Spugna, or “sponge,” suggests how this painting was made. Each cell was created by pressing an acrylic-laden sponge firmly against the canvas surface.

Frank Bowling’s Map Paintings refer to the cartographic outlines of countries and continents that haunt a series of abstract color paintings made between 1967 and 1972.

Karla Black materializes sculptures from “impermanent and raw” substances that are common to everyday life but unexpected for the medium—sugar paper, bath bombs, eyeshadow, cellophane, and chalk, to name a few.

Consisting of a structure resembling a painting rack that holds a mix of Tajima’s previous work as well as a rotating series of artworks from the Dallas Museum of Art’s permanent collection, The Extras serves as both a reflection and critique of the financial crisis of 20

Shinro Ohtake’s Time Strata is autobiographical in nature, presenting a view of the artist’s own practice through accumulated layers representative of time and memory.

During a particular moment in American history, African American artists such as Melvin Edwards voiced their own experience of the civil rights movement through art.