2014.37 Giorgio Griffa, Spugna


GENERAL DESCRIPTION  
The title Spugna, or “sponge,” suggests how this painting was made. Each cell was created by pressing an acrylic-laden sponge firmly against the canvas surface. Giorgio Griffa, who never received a formal art education, creates paintings composed of simple colored patterns that are sensitively articulated on plain spacious backgrounds. In his use of repetitive gestures on unstretched canvas and linen, he conveys a sense of meditative concentration and harmony. When a work is complete, it is carefully folded and stored until it is ready to be displayed, whereupon it is simply pinned on the wall in a relaxed and elegant man­ner. His work is directly linked to the Arte Povera move­ment in 1960s Italy, which employed everyday materials to make objects that were richly evocative in meaning.

Excerpt from
  • Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 228-229.

NOTES
Did not get object file- streamlined process, no provenance. CLC, 11/30/18.  

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 
  • Camden Arts Centre~Learn more about Giorgio Griffa's career and the recent retrospective A Continuous Becoming. Also check out the playlist Griffa created to accompany the exhibition. 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 2014.37

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General Description
 
The title Spugna, or “sponge,” suggests how this painting was made. Each cell was created by pressing an acrylic-laden sponge firmly against the canvas surface. Giorgio Griffa, who never received a formal art education, creates paintings composed of simple colored patterns that are sensitively articulated on plain spacious backgrounds. In his use of repetitive gestures on unstretched canvas and linen, he conveys a sense of meditative concentration and harmony. When a work is complete, it is carefully folded and stored until it is ready to be displayed, whereupon it is simply pinned on the wall in a relaxed and elegant man­ner. His work is directly linked to the Arte Povera move­ment in 1960s Italy, which employed everyday materials to make objects that were richly evocative in meaning.

Excerpt from
  • Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 228-229.

Fun Facts

Archival Resources

Web Resources
 
  • Camden Arts Centre~Learn more about Giorgio Griffa's career and the recent retrospective A Continuous Becoming. Also check out the playlist Griffa created to accompany the exhibition. 

Notes
Did not get object file- streamlined process, no provenance. CLC, 11/30/18.  

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2014.37
tags
#draft
#completed
%Archived
gesture: AAT: 300056179
acrylic paint (resin): AAT: 300015058
canvas: AAT: 300014078
painting (visual works): AAT: 300033618
*Contemporary Art
@Courtney
%Geo pending
%ProvenancePending
abstraction: AAT: 300056508
#routed
patterns (design elements): AAT: 300010108
space (composition concept): AAT: 300068896
%copyedited_Jennie
meditation: AAT: 300264363
rectangles (parallelograms): AAT: 300055636
repetition (artistic concept): AAT: 300400861
abstract (general art genre): AAT: 300417511
organic (attributes and properties): AAT: 300191632
monochrome: AAT: 300137660
Arte Povera: AAT: 300047851
Turin: TGN: 7005688
linen (material): AAT: 300014069
folding (process): AAT: 300247923
sponges (cleaning equipment): AAT: 300386524
Griffa_Giorgio: ULAN: 500074280
source file
object_notes_1_b-0249.xml.nores