2015.17 Melvin Edwards, Machete for Gregory


GENERAL DESCRIPTION  
During a particular moment in American history, African American artists such as Melvin Edwards voiced their own experience of the civil rights movement through art. Edwards has said, “As the civil rights movement advanced, sculpture started to take over when, in response to the events of the time, I began to feel that I had ideas that seemed to have no possible place in the painting I was doing.” Machete for Gregory becomes an abrasive reminder of the historical racial tension and implicit vio­lence in the United States. The machete, an instrument used for survival but also by African slaves in the harvest­ing of plantation crops, is prominent. In dedicating the work to his brother Gregory, Edwards references the struggles one may encounter in life and the tools needed to protect oneself. The machete is transformed from a symbol of oppression into a symbol of emancipation.

Excerpt from
  • Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 238.

NOTES
Did not get object file- streamlined process, no provenance. CLC, 11/15/18.  

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Apply to objects where number equals 2015.17

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General Description
 
During a particular moment in American history, African American artists such as Melvin Edwards voiced their own experience of the civil rights movement through art. Edwards has said, “As the civil rights movement advanced, sculpture started to take over when, in response to the events of the time, I began to feel that I had ideas that seemed to have no possible place in the painting I was doing.” Machete for Gregory becomes an abrasive reminder of the historical racial tension and implicit vio­lence in the United States. The machete, an instrument used for survival but also by African slaves in the harvest­ing of plantation crops, is prominent. In dedicating the work to his brother Gregory, Edwards references the struggles one may encounter in life and the tools needed to protect oneself. The machete is transformed from a symbol of oppression into a symbol of emancipation.

Excerpt from
  • Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 238.

Fun Facts

Archival Resources

Web Resources
 

Notes
Did not get object file- streamlined process, no provenance. CLC, 11/15/18.  

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2015.17
tags
#draft
#completed
sculpture: AAT: 300047090
%Archived
*Contemporary Art
@Courtney
United States (nation): TGN: 7012149
%ProvenancePending
steel (alloy): AAT: 300133751
#routed
%copyedited_Jennie
violence: AAT: 300192799
African American: AAT: 300018125
race (group of people): AAT: 300256475
barbed wire: AAT: 300011064
chains (object genre): AAT: 300014625
slavery: AAT: 300055309
harvesting: AAT: 300417516
movement (historical concept): AAT: 300404180
plantations (agricultural complexes): AAT: 300000240
civil rights: AAT: 300068783
tools: AAT: 300024841
Edwards_Melvin: ULAN: 500108626
machetes (knives): AAT: 300024363
emancipation: AAT: 300185680
source file
object_notes_1_b-0245.xml.nores