1967.18, Mark Tobey, Echoes of Broadway, 1964, tempera on paper
GENERAL DESCRIPTION
Small in scale but exploding with the energy and vitality of the city, Echoes of Broadway
1976.73.FA, Joseph Cornell, Grand Hotel de la Boule d'Or, early 1950s, wood, paint, newsprint, and glass
GENERAL DESCRIPTION
With his "shadow boxes," simple box constructions containing such objects as seashells, bottles, cordial glasses, driftwood, maps, photographs, and surrealist-inspired collages, the reclusive and reticent Joseph Cornell created a private w
1949.13, Alexander Calder, Flower, 1949, iron, silver, aluminum, and paint
GENERAL DESCRIPTION
Alexander Calder's Flower is a delicate and whimsical study of balance and motion.
Miguel Covarrubias (1904-1957)
GENERAL DESCRIPTION
Mexican caricaturist, painter, ethnologist, and art historian Miguel Covarrubias was born on November 22, 1904 in Mexico City. He began his career as an illustrator and writer working in the Secretaría de Comunicaciones (Secretary of Communications, Mexico City). In 1919 he was a draughtsman for street plans and maps and created a series of caricatures for Policromías, a student magazine in 1920.
Henrietta Mary Shore (1880-1963)
GENERAL DESCRIPTION
Born in Toronto, the majority of Henrietta Mary Shore’s artistic training was acquired in the United States, most significantly under Robert Henri in New York. Shore recognized her deep connection to nature in her early teens while still living in Toronto, Canada.
David Alfaro Siqueiros (1896-1974)
GENERAL DESCRIPTION
David Alfaro Siqueiros is deemed one of the three masters of the Mexican muralism movement, along with Diego Rivera and José Clemente Orozco. Born on December 29, 1896 in Chihuahua, Mexico, his family moved to Irapuato, Gunajuato, Mexico in 1902.
1985.R.133, Gold and blue panel with pink and red roses, France, c. 1840
GENERAL DESCRIPTION
The invention of the Jacquard loom revolutionized the textile industry by semi-automating weaving. The blue herringbone pattern figured ground is achieved by the Jacquard punched card process. High quality fabrics such as the Louis XV and Louis XVI styles were in great demand by the new industrial society.
1985.R.118, Robe panel, Spain, 18th century
GENERAL DESCRIPTION
Symbol of Christ's love, the chasuble was traditionally worn by members of the clergy on special occasions. The shape of this chasuble back with an uncrossed central applied panel is typical of those worn in Spain in the 17th and 18th centuries. The front is fiddle shaped.
1985.R.121, Gold, white, and pink table runner, Europe, 18th century
GENERAL DESCRIPTION
This panel belongs to a group of finely woven silk brocades called
1985.R.146, Panel with blue velvet on cream background, France or Italy, late 17th–early 18th century
GENERAL DESCRIPTION
Brocades such as these were used as wall coverings, bed and window hangings and for upholstery in the Louis XIV and Régence periods in France.