GENERAL DESCRIPTION
The invention of the Jacquard loom revolutionized the textile industry by semi-automating weaving. The blue herringbone pattern figured ground is achieved by the Jacquard punched card process. High quality fabrics such as the Louis XV and Louis XVI styles were in great demand by the new industrial society. The quantity and variety of silver wrapped silk threads, as well as the taste and subtlety of coloring of the garland of roses, violets, morning glories, leaves, and shells, is equal to the high level of 18th century work.
Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 217.
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PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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Apply to objects where number equals 1985.R.133
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General Description
The invention of the Jacquard loom revolutionized the textile industry by semi-automating weaving. The blue herringbone pattern figured ground is achieved by the Jacquard punched card process. High quality fabrics such as the Louis XV and Louis XVI styles were in great demand by the new industrial society. The quantity and variety of silver wrapped silk threads, as well as the taste and subtlety of coloring of the garland of roses, violets, morning glories, leaves, and shells, is equal to the high level of 18th century work.
Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 217.
Fun Facts
Archival Resources
Web Resources
Notes
TMS Updates
search dates
place of origin
provenance
published references
text entry
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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1985.R.133
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object_notes_3_a-0280.xml.nores