1985.R.133, Gold and blue panel with pink and red roses, France, c. 1840


GENERAL DESCRIPTION  
The invention of the Jacquard loom revolutionized the textile industry by semi-automating weaving. The blue herringbone pattern figured ground is achieved by the Jacquard punched card process. High quality fabrics such as the Louis XV and Louis XVI styles were in great demand by the new industrial society. The quantity and variety of silver wrapped silk threads, as well as the taste and subtlety of coloring of the garland of roses, violets, morning glories, leaves, and shells, is equal to the high level of 18th century work. 

Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 217.

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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Apply to objects where number equals 1985.R.133

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General Description
 
The invention of the Jacquard loom revolutionized the textile industry by semi-automating weaving. The blue herringbone pattern figured ground is achieved by the Jacquard punched card process. High quality fabrics such as the Louis XV and Louis XVI styles were in great demand by the new industrial society. The quantity and variety of silver wrapped silk threads, as well as the taste and subtlety of coloring of the garland of roses, violets, morning glories, leaves, and shells, is equal to the high level of 18th century work. 

Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 217.

Fun Facts

Archival Resources

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Notes
TMS Updates
search dates
place of origin
provenance
published references
text entry

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
Europe (continent): TGN: 1000003
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
textiles (visual works): AAT: 300014063
roses (flowers/plants/rosa genus): AAT: 300266246
leaves (plant components): AAT: 300400479
France (nation): TGN: 1000070
borders (ornament areas): AAT: 300010252
textile art (visual works): AAT: 300386843
garland: AAT: 300167386
looms (textile tools): AAT: 300247546
Louis XVI_King of France: ULAN: 500122357
Louis XV (decorative arts styles by reign): AAT: 300021085
Louis XVI (styles by reign): AAT: 300021271
morning glory: DMA
violets (plants/flowers): DMA
source file
object_notes_3_a-0280.xml.nores