2015.47.1.A-I Walter de Maria, Large Rod Series: Circle/Rectangle 5, 7, 9, 11, 13
GENERAL DESCRIPTION
A towering figure in the history of Minimal, Conceptual, Installation, and Land Art, Walter De Maria has had a profound impact on contemporary art making. De Maria’s Large Rod Series comprises ten works made between 1984 and 1989.
2016.2.2 Taro Izumi, Making
GENERAL DESCRIPTION
Taro Izumi’s videos produce humor both deliberately and by chance from moments that initially seem nonsensical. Some videos follow a plan, while others are ostensibly the product of boredom.
2016.2.4 Taro Izumi, Untitled
GENERAL DESCRIPTION
Taro Izumi’s videos produce humor both deliberately and by chance from moments that initially seem nonsensical. Some videos follow a plan, while others are ostensibly the product of boredom.
2016.8 Sadamasa Motonaga, Line Line Line
GENERAL DESCRIPTION
Sadamasa Motonaga, who very early in his career aspired to become a manga artist, drew heavily from doodles in his paintings.
2016.14 Hito Steyerl, How to Not Be Seen: A Fucking Didactic Educational .Mov File
GENERAL DESCRIPTION
Hito Steyerl’s How Not To Be Seen examines the politics of visibility and the means for opting out of being represented in the digital age.
2016.22.A-B Sharon Hayes, I March in the Parade of Liberty but as Long As I Love You I'm Not Free
GENERAL DESCRIPTION
I March in the Parade of Liberty, but as Long as I Love You I’m Not Free was a set of speeches by Sharon Hayes, performed in the streets of New York City over eight days between December 2007 and January 2008.
2016.43 Kevin Beasley, Untitled (Sahara)
GENERAL DESCRIPTION
Working between the disciplines of sound, sculpture, and performance, Kevin Beasley explores identity and representation through objects in the broader context of their cultural production. His sculptures function as narrative vessels embedded with cultural, personal, and political significance.
2016.44.A-I Haim Steinbach, code of silence #1
GENERAL DESCRIPTION
Throughout his practice, Haim Steinbach has engaged with concepts of presentation and display and questioned the nature of the object in its social and cultural context.
2017.3.A-N Nina Canell, Midsentence
GENERAL DESCRIPTION
In her sculptural installations, Nina Canell explores systems of interconnectivity. Working with the physical phenomena of electricity, infrasound, and time, Canell creates material and linguistic associations that draw relationships between them.
2017.6.A-B Ann Craven, Diptych (Roses, Stripe, Morning Glory), 2010
GENERAL DESCRIPTION
In Diptych (Roses, Stripe, Morning Glory), 2010, Ann Craven revitalizes the floral still life, which had been historically marginalized as a subgenre, seen as little more than the byproduct of a charming amateurism, and minor art making.