2016.14 Hito Steyerl, How to Not Be Seen: A Fucking Didactic Educational .Mov File


GENERAL DESCRIPTION  
Hito Steyerl’s How Not To Be Seen examines the politics of visibility and the means for opting out of being repre­sented in the digital age. Structured as a “how-to” video, Steyerl’s work presents a variety of practical techniques to avoid being captured by the camera’s lens. These tactics range from the obvious (hiding), to the outlandish (invisibil­ity cloak), to the sarcastic (being female and over fifty). While playful in tone, the video’s message is gravely serious; the digital networks that visualize the world today serve to exploit the masses in the name of control, power, and profit. And, as more of us use smartphones to docu­ment ourselves and keep tabs on one another through social media, we are implicitly aiding and abetting these monitoring systems through a “regime of (mutual) self-control and visual self-disciplining.” Steyerl cautions that “hegemony is increasingly internalized, along with the pressure to conform and perform, as is the pressure to represent and be represented.” Here the act of disappear­ing becomes synonymous with refusal—a refusal to give in to such pressures, and a refusal to participate in these networks of exploitation. 

Excerpt from
  • Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 252.

NOTES
Did not get object file- streamlined process, no provenance. CLC, 11/19/18.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 
  • MoMA Learning~Explore How Not to Be Seen through film stills, a video excerpt, interviews, and more. 
  • Art 21~Learn more about Steyerl and watch her conversation with Shahzia Sikander at the 13th Istanbul Biennial.  
  • e-flux~Explore Steyerl's analysis of subjecthood in an age of digital representation. 

ARCHIVAL RESOURCES

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Apply to objects where number equals 2016.14

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General Description
  
Hito Steyerl’s How Not To Be Seen examines the politics of visibility and the means for opting out of being repre­sented in the digital age. Structured as a “how-to” video, Steyerl’s work presents a variety of practical techniques to avoid being captured by the camera’s lens. These tactics range from the obvious (hiding), to the outlandish (invisibil­ity cloak), to the sarcastic (being female and over fifty). While playful in tone, the video’s message is gravely serious; the digital networks that visualize the world today serve to exploit the masses in the name of control, power, and profit. And, as more of us use smartphones to docu­ment ourselves and keep tabs on one another through social media, we are implicitly aiding and abetting these monitoring systems through a “regime of (mutual) self-control and visual self-disciplining.” Steyerl cautions that “hegemony is increasingly internalized, along with the pressure to conform and perform, as is the pressure to represent and be represented.” Here the act of disappear­ing becomes synonymous with refusal—a refusal to give in to such pressures, and a refusal to participate in these networks of exploitation. 

Excerpt from
  • Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 252.

Fun Facts

Archival Resources

Web Resources
 
  • MoMA Learning~Explore How Not to Be Seen through film stills, a video excerpt, interviews, and more. 
  • Art 21~Learn more about Steyerl and watch her conversation with Shahzia Sikander at the 13th Istanbul Biennial.  
  • e-flux~Explore Steyerl's analysis of subjecthood in an age of digital representation. 

Notes
Did not get object file- streamlined process, no provenance. CLC, 11/19/18.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2016.14
tags
#draft
#completed
%Archived
*Contemporary Art
@Courtney
%TMS pending
%Geo pending
video art: AAT: 300102067
#routed
power: AAT: 300374809
money: AAT: 300037316
%copyedited_Jennie
identity: AAT: 300257052
Berlin (Germany): TGN: 7003712
irony: AAT: 300055900
capitalism: AAT: 300055518
cameras (photographic equipment): AAT: 300022636
networks: AAT: 300311885
post-structuralism (critical theories): AAT: 300253295
philosophy: AAT: 300054279
digital art (visual works): AAT: 300386810
gaze (psychoanalytical concept): AAT: 300263453
social media: AAT: 300312269
Steyerl_Hito: DMA
surveillance: AAT: 300404761
smartphones: AAT: 300404917
source file
object_notes_1_d-0153.xml.nores