Joan Semmel is one of the original and most influential participants in the feminist art movement of the 1970s.

Epigraph, Damascus by Julie Mehretu is a monumental six-part print that showcases her mastery of the medium, incorporating a variety of techniques. Architectural draw­ings of buildings located in Damascus, the capital of Syria, underlie the composition.

Not Vital’s body of work includes drawings, paintings, sculptures, installations, and buildings, but all his pieces are defined by a pursuit to emulate the beauty of nature. This work celebrates the already sculptural beauty of a lotus bud.

Snowscape with Barn is marked by a complex geometric composition and dense patterning, evidence of Jonas Wood’s unique process of image creation.

Theaster Gates collapses art and life in his work as a sculptor and urban planner. His expansive practice is underpinned by a belief in social transformation through direct spatial intervention.

Vigário Geral Jerked-Beef Ruin is a virtuosic simulation of a tile wall that upon closer inspection is bursting at the seams with flesh and guts.

Gary Hume is known for his colorful abstractions that draw from visual media and advertisements.

Wyatt Khan’s works exist somewhere between painting and sculpture. The artist arranges raw canvases of unusual but complementary shapes and sizes, and affixes them to each other to create the semblance of a single panel.

This exaggerated, monolithic door is oppressively real and heavy, but also feels imagined, as if pulled from a child’s fantasy. With thick wood, sealed windows, and perma­nently closed locks, it cartoonishly exemplifies everything one would expect to find in a medieval castle.