2017.3.A-N Nina Canell, Midsentence


GENERAL DESCRIPTION  
In her sculptural installations, Nina Canell explores systems of interconnectivity. Working with the physical phenomena of electricity, infrasound, and time, Canell creates material and linguistic associations that draw relationships between them. Mid-Sentence features optical fiber cables that can be found buried beneath the sea. These cables are typically responsible for long-distance telecommunication or for providing high-speed data connections between different parts of the world. In this sculptural state, fragments of cables exposing their innards are presented as raw specimens. In other instances in the installation, coils of their protective plastic casing can be found melted together, emphasizing their mutability as a material but also signifying an end to any functional capability. The purpose of the small machine plugged into the wall, separately titled Foam-Skin Insulated Jelly Filled Vowel, remains unknown. It conjures the feeling that you are being exposed to some physically undetect­able energy or frequency. In their daily use, optical cables transfer data at the speed of light—299,792,458 meters per second—and are designed to speed up deci­sions and transactions across the globe. The work’s title Mid-Sentence perhaps proposes an omission, a pause, a stumble in this data transmission. 

Excerpt from
  • Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 262-263.

NOTES
Did not get object file- streamlined process, no provenance. CLC, 11/19/18.

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WEB RESOURCES 
  • Art Viewer~Learn more about Canell's experimentation with electricity, energy, and viscous materials. 

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General Description
 
In her sculptural installations, Nina Canell explores systems of interconnectivity. Working with the physical phenomena of electricity, infrasound, and time, Canell creates material and linguistic associations that draw relationships between them. Mid-Sentence features optical fiber cables that can be found buried beneath the sea. These cables are typically responsible for long-distance telecommunication or for providing high-speed data connections between different parts of the world. In this sculptural state, fragments of cables exposing their innards are presented as raw specimens. In other instances in the installation, coils of their protective plastic casing can be found melted together, emphasizing their mutability as a material but also signifying an end to any functional capability. The purpose of the small machine plugged into the wall, separately titled Foam-Skin Insulated Jelly Filled Vowel, remains unknown. It conjures the feeling that you are being exposed to some physically undetect­able energy or frequency. In their daily use, optical cables transfer data at the speed of light—299,792,458 meters per second—and are designed to speed up deci­sions and transactions across the globe. The work’s title Mid-Sentence perhaps proposes an omission, a pause, a stumble in this data transmission. 

Excerpt from
  • Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 262-263.

Fun Facts

Archival Resources

Web Resources
 
  • Art Viewer~Learn more about Canell's experimentation with electricity, energy, and viscous materials. 

Notes
Did not get object file- streamlined process, no provenance. CLC, 11/19/18.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

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2017.3.A-N
tags
#draft
#completed
sculpture: AAT: 300047090
*Contemporary Art
@Courtney
%TMS pending
%Geo pending
time-based works: AAT: 300185191
installations (visual works): AAT: 300047896
%copyedited_Jennie
seas: AAT: 300008694
light (energy): AAT: 300056024
time: AAT: 300133089
electric cables: AAT: 300050615
electricity: AAT: 300055232
machinery: AAT: 300024839
linguistics: AAT: 300054245
Canell_Nina: DMA
data (information): AAT: 300312038
networks: AAT: 300311885
source file
object_notes_1_a-0393.xml.nores