1982.18, Votive plaque with seated figure of Pluto, Roman, 2nd-3rd century C.E., silver over copper
GENERAL DESCRIPTION
The silver and copper ex-voto in the form of a leaf or feather is one of three similar pieces found together in Tunisia. The group once belonged to Norbert Schimmel, and one piece is now in the Metropolitan Museum of Art, New York.
1988.65, Large bottle, Syro-Roman, c. 1st-4th century C.E., glass
GENERAL DESCRIPTION
Glass has been used as a form of artistic expression for approximately 3,500 years. First appearing in the form of small beads in Mesopotamia, glass was soon shaped around preformed cores of earth to make hollow vases.
1988.64, Small bottle, Syro-Roman, c. 1st-4th century C.E., glass
GENERAL DESCRIPTION
Glass has been used as a form of artistic expression for approximately 3,500 years. First appearing in the form of small beads in Mesopotamia, glass was soon shaped around preformed cores of earth to make hollow vases.
2000.331, Firescreen, Eugene Schoen (designer), Schmieg and Kotzian (maker), c. 1935-1936
GENERAL DESCRIPTION
Giving objects, even stationary ones, streamlined shapes was seen as a sign of progress and dynamism in the Depression years of the 1930s.
1994.51, Head of a priest, Roman, Palmyrene, c. C.E. 150-250
GENERAL DESCRIPTION
This Roman imperial portrait head, which is in excellent condition, straddles two areas of the Museum's ancient art collection: Roman portraiture and Near Eastern art. Roman portraits from the late second to the early fourth century A.D.
Karl Emmanuel Martin (Kem) Weber (1889-1963)
GENERAL DESCRIPTION
Kem Weber (1889-1963) was one of the leading designers working in America during the 1920s and 1930s. Born in Berlin, Weber studied with Bruno Paul, the director of the Academy of Applied Arts before traveling to California to supervise construction of the German pavilion at the 1915 Panama-Pacific Exposition.
A Senufo Drum
GENERAL DESCRIPTION
The motifs carved in low relief on the cylindrical chamber of this drum are not merely decoration. They symbolize important cultural concepts. The horned face, for example, represents the carved face masks that junior members of the Poro society wear at funerary masquerades.
Arowogun (Aerogun) of Osi-Ilorin (c. 1880-1954)
GENERAL DESCRIPTION
Arowogun, a celebrated master sculptor and a contemporary of Olowe of Ise, was born around 1880 in the village of Osi in the Ekiti region of northern Yorubaland.
A Yoruba Caryatid vessel (arugba Shango)
GENERAL DESCRIPTION
Shango priests store the deity's thunderbolts (Neolithic celts or axe heads), kola nuts, food offerings, oshe Shango (dance wands used to honor the deity), and other ritual paraphernalia in a calabash bowl that is placed on an upturned mortar.
Akobi Ogun Fakeye (c. 1870-1946)
GENERAL DESCRIPTION
Sculptor Akobi Ogun Fakeye's name means "the first-born of Ogun." Ogun is the Yoruba god of iron and the patron saint of woodcarvers. Akobi Ogun (c. 1870-1946) was the son of a sculptor but chose not to carve. According to his son Lamidi Olonade Fakeye (b. 1925), an internationally known sculptor whose work is installed at the Kennedy Center in Washington, D.C., Akobi Ogun contracted smallpox when he was about twenty years old.