1988.65, Large bottle, Syro-Roman, c. 1st-4th century C.E., glass


GENERAL DESCRIPTION  
Glass has been used as a form of artistic expression for approximately 3,500 years. First appearing in the form of small beads in Mesopotamia, glass was soon shaped around preformed cores of earth to make hollow vases. During the middle of the first century B.C.E, a process for blowing glass into a variety of shapes was invented, probably along the Levantine coast. This process revolutionized the glass industry, and created the basis for the mass production of glass vessels during the Roman era. With the blowing technique established, glass became a desirable and inexpensive commodity, available in diverse colors and decorative enhancements, with the unique quality of allowing the contents of a vessel to be seen through its walls.

Known as "unguentarium," bottles like these originally held perfume or oils for their wealthy owners. Given their widespread manufacture and use, Roman scent bottles are difficult to date and place geographically. However, a survey of published examples suggest that this particular piece was produced in Syria, a major center of glass production in the ancient world.

Adapted from 
  • Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. (Seattle: University of Washington Press, 1996), 103-104.
  • DMA unpublished material, 1988.

NOTES
  • DMA unpublished material = Acquisition justification dated October 20, 1988, found in Collections Records Object File
  • In the first century BCE, artisans in the Roman-dominated Near East, building upon the ancient art of glassworking, discovered the technique of blowing glass, which produces thing-walled, lightweight glass containers in a variety of shapes not possible with earlier methods of forming glassware. Roman glass from the first four centuries CE was made in a number of colors, but the natural color of the glass was blue-green, due to the iron oxides in the sand used for glass manufacture. This siliceous sand was mixed with soda and lime and then heated to a molten state in a crucible, after which it was blown into such forms as vases, cups, bowls, goblets, or perfume containers. The iridescence on many of the pieces is the result of chemical changes through time. 

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Artist/designers

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RELATED OBJECTS 

PROVENANCE 
Until 1988: Collection of Blanche Erlanger, Dallas, Texas [1]

From 1988: Dallas Museum of Art, gift of above

[1] See object receipt in Collections Records Object File

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Apply to objects where number equals 1988.65

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General Description
 
Glass has been used as a form of artistic expression for approximately 3,500 years. First appearing in the form of small beads in Mesopotamia, glass was soon shaped around preformed cores of earth to make hollow vases. During the middle of the first century B.C.E, a process for blowing glass into a variety of shapes was invented, probably along the Levantine coast. This process revolutionized the glass industry, and created the basis for the mass production of glass vessels during the Roman era. With the blowing technique established, glass became a desirable and inexpensive commodity, available in diverse colors and decorative enhancements, with the unique quality of allowing the contents of a vessel to be seen through its walls.

Known as "unguentarium," bottles like these originally held perfume or oils for their wealthy owners. Given their widespread manufacture and use, Roman scent bottles are difficult to date and place geographically. However, a survey of published examples suggest that this particular piece was produced in Syria, a major center of glass production in the ancient world.

Adapted from 
  • Anne R. Bromberg, and Karl Kilinski II, Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art. (Seattle: University of Washington Press, 1996), 103-104.
  • DMA unpublished material, 1988.

Fun Facts

Archival Resources

Web Resources
 

Notes
  • DMA unpublished material = Acquisition justification dated October 20, 1988, found in Collections Records Object File
  • In the first century BCE, artisans in the Roman-dominated Near East, building upon the ancient art of glassworking, discovered the technique of blowing glass, which produces thing-walled, lightweight glass containers in a variety of shapes not possible with earlier methods of forming glassware. Roman glass from the first four centuries CE was made in a number of colors, but the natural color of the glass was blue-green, due to the iron oxides in the sand used for glass manufacture. This siliceous sand was mixed with soda and lime and then heated to a molten state in a crucible, after which it was blown into such forms as vases, cups, bowls, goblets, or perfume containers. The iridescence on many of the pieces is the result of chemical changes through time. 

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1988: Collection of Blanche Erlanger, Dallas, Texas [1]

From 1988: Dallas Museum of Art, gift of above

[1] See object receipt in Collections Records Object File

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1988.65
tags
#draft
#completed
%copyedited_Gail
*Classical Art
@Bowling
%Archived
vessels (containers): AAT: 300193015
glass (material): AAT: 300010797
perfume bottles: AAT: 300197635
storage containers: AAT: 300197582
Roman (ancient Italian style): AAT: 300020533
blown glass: AAT: 300010832
unguentaria: AAT: 300264947
Syria (nation): TGN: 1000140
source file
object_notes_2_d-0477.xml.nores