1991.75.13.a-b, Pair of a bauletto earrings, Etruria, late 6th century B.C.E., gold
GENERAL DESCRIPTION
A baule or
1994.184, Coffin, Egyptian, 25th Dynasty, c. 700 B.C.E., wood, gesso, paint, obsidian, calcite, bronze
GENERAL DESCRIPTION
Ancient Egyptian coffins housed an individual's physical remains and ka (vital force or soul) during the journey to the afterlife.
1979.1, Relief: from a throne or architectural monument (Thoth, god of learning and patron of scribes), Egyptian, 26th Dynasty, 664-525 B.C.E, Schist slate
GENERAL DESCRIPTION
Although this schist relief is from a late period of Egyptian art, it has the hieroglyphic purity of an earlier Egyptian style. Egyptian art was very conservative; once a satisfactory visual convention had been created, it might last for generations.
1984.50, Head and upper torso of Seti I, Egyptian, 19th Dynasty, c. 1303-1290 B.C.E., black granite
GENERAL DESCRIPTION
This superb sculpture is a rare portrait of one of the great kings of Egyptian history. Seti I was the first important pharaoh of the 19th Dynasty.
1965.28.M, Relief: procession of offering bearers, from the tomb of Ny-Ankh-Nesut, Egyptian, late 5th-6th Dynasty, c. 2300 B.C.E, painted limestone
GENERAL DESCRIPTION
This carved and painted limestone relief originally decorated a wall in the tomb of Ny-Ank-Nesut, who is believed to have been an important court official, possibly a high priest of Ra (Re) during the late 5th or early 6th Dynasty Egypt.
1999.21, Lotus vase, George Sakier (designer), Fostoria Glass Company (manufacturer), c. 1928
GENERAL DESCRIPTION
Conservative forms of Modernism fared better in the everyday consumer products marketplace of the late 1920s and 1930s.
1994.8, Telechron mantel clock, Paul Frankl (designer), Warren Electric Company (manufacturer), c. 1928
GENERAL DESCRIPTION
Seeing luxurious French art deco objects at the 1925 Paris design fair inspired some American designers to create similar works. Like their French counterparts, most of these pieces were made by hand from exotic materials and were thus expensive.
1994.12.a-c, Gift camera, Walter Dorwin Teague (designer), Eastman Kodak Company (manufacturer), c. 1930
GENERAL DESCRIPTION
Giving objects, even stationary ones, streamlined shapes was seen as a sign of progress and dynamism in the Depression years of the 1930s.