1999.21, Lotus vase, George Sakier (designer), Fostoria Glass Company (manufacturer), c. 1928


GENERAL DESCRIPTION
Conservative forms of Modernism fared better in the everyday consumer products marketplace of the late 1920s and 1930s. As a strategy to combat increased domestic and foreign competition in the 1920s and to revive flagging sales during the depression, many glass and dish manufacturers increased the number of lines they had in production during the interwar years. Unlike producers of ware for restaurants and hotels, makers of dishes for the home believed that increased variety would result in increased sales. Many of these new wares were traditional ones with floral motifs or antique elements, but others like the Lotus vase designed by George Sakier and manufactured by the Fostoria Glass Company, had streamlined shapes and featured geometric or solid-color surfaces. 

George Sakier was hired by the Fostoria Glass Company in 1929 as a design consultant and charged with modernizing the firm's lines. A former art director at several important fashion magazines, Sakier was well aware of both European art deco and American streamline styling which were just becoming popular in the United States in the late 1920s. Soon after his arrival, Fostoria was producing Sakier's designs for modernist vases, giftware, barware, and stemware. Products like the Lotus vase that were bold in shape and often striking in color attracted considerable publicity for Fostoria during the depression and helped establish its name as a maker of quality glassware. 

Adapted from 
Charles L. Venable, China and Glass in America, 1880-1980 (Dallas, Texas: Dallas Museum of Art; New York, New York; Harry N. Abrams, Inc., 2000), 174 and 360.

NOTES
TMS Updates
I updated Geo Xrefs - constituent place of birth/death
I updated Geo Xrefs - constituent business location
I updated Geo Xrefs - place of origin
updated Provenance
Updated text entry - Object receipt


Catalogue essays

Artist/designers
Sakier_George: ULAN: 500332999
Fostoria Glass Company: DMA

Cultures

Geography 
Fostoria (Ohio): TGN: 2079627

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE
About 1928: Fostoria Glass Company, Fostoria, Ohio
 
Until 1999: Eason Eige (independent curator, appraiser and aquisition consultant), Albuquerque, New Mexico [1]

From 1999: Dallas Museum of Art, Dallas, Texas [1]

[1] See Dallas Museum of Art Deed of Gift (dated January 9, 1999, copy in Collections Records Object File). 


AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 
PBS American Experience~Read more about Industrial Designers and Streamliners
George Sakier~Read more about industrial designer, George Sakier

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where id equals 5320666

Category
rules_operator
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General Description
Conservative forms of Modernism fared better in the everyday consumer products marketplace of the late 1920s and 1930s. As a strategy to combat increased domestic and foreign competition in the 1920s and to revive flagging sales during the depression, many glass and dish manufacturers increased the number of lines they had in production during the interwar years. Unlike producers of ware for restaurants and hotels, makers of dishes for the home believed that increased variety would result in increased sales. Many of these new wares were traditional ones with floral motifs or antique elements, but others like the Lotus vase designed by George Sakier and manufactured by the Fostoria Glass Company, had streamlined shapes and featured geometric or solid-color surfaces. 

George Sakier was hired by the Fostoria Glass Company in 1929 as a design consultant and charged with modernizing the firm's lines. A former art director at several important fashion magazines, Sakier was well aware of both European art deco and American streamline styling which were just becoming popular in the United States in the late 1920s. Soon after his arrival, Fostoria was producing Sakier's designs for modernist vases, giftware, barware, and stemware. Products like the Lotus vase that were bold in shape and often striking in color attracted considerable publicity for Fostoria during the depression and helped establish its name as a maker of quality glassware. 

Adapted from 
Charles L. Venable, China and Glass in America, 1880-1980 (Dallas, Texas: Dallas Museum of Art; New York, New York; Harry N. Abrams, Inc., 2000), 174 and 360.

Fun Facts

Archival Resources

Web Resources
 
PBS American Experience~Read more about Industrial Designers and Streamliners
George Sakier~Read more about industrial designer, George Sakier

Notes
TMS Updates
I updated Geo Xrefs - constituent place of birth/death
I updated Geo Xrefs - constituent business location
I updated Geo Xrefs - place of origin
updated Provenance
Updated text entry - Object receipt


Catalogue essays

Artist/designers
Sakier_George: ULAN: 500332999
Fostoria Glass Company: DMA

Cultures

Geography 
Fostoria (Ohio): TGN: 2079627

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE
About 1928: Fostoria Glass Company, Fostoria, Ohio
 
Until 1999: Eason Eige (independent curator, appraiser and aquisition consultant), Albuquerque, New Mexico [1]

From 1999: Dallas Museum of Art, Dallas, Texas [1]

[1] See Dallas Museum of Art Deed of Gift (dated January 9, 1999, copy in Collections Records Object File). 


AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
id
Equals
5320666
tags
#draft
#completed
%copyedited_Gail
%Archived
mold-blown glass: AAT: 300233433
glass (material): AAT: 300010797
*Decorative Arts and Design
@bartsch-allen
blue (color): AAT: 300129361
industrial design: AAT: 300054183
industrial designers: AAT: 300025203
vases: AAT: 300132254
fluting: AAT: 300010233
Art Deco (style or movement): AAT: 300021426
Fostoria (Ohio/United States): TGN: 2079627
Fostoria Glass Company: DMA
Sakier_George: ULAN: 500332999
source file
object_notes_4_b-0062.xml.nores