Object Notes

The weight and density of Cor-Ten steel is emphasized by Richard Serra's massive pieces, which deliberately suggest a sense of ponderous, even dangerous, balance. The effect is both psychological and physical.

This image and another by Carlotta M.

This image and another by Carlotta M.

Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.

Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.

Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.

Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.

Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.

Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.