1983.573, Blythe Bohnen, Self-Portraits; head in Motion, 1978, gelatin silver print
GENERAL DESCRIPTION
Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.
1983.572, Blythe Bohnen, Self-Portraits; head in Motion, 1978, gelatin silver print
GENERAL DESCRIPTION
Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.
1985.B.37.12, James Woodward, Armchair, Norfolk, VA, 1803
GENERAL DESCRIPTION
The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.
1985.B.37.11, James Woodward, Armchair, Norfolk, VA, 1803
GENERAL DESCRIPTION
The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.
1985.B.37.10, James Woodward, Armchair, Norfolk, VA, 1803
GENERAL DESCRIPTION
The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.
1985.B.37.9, James Woodward, Armchair, Norfolk, VA, 1803
GENERAL DESCRIPTION
The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.
1985.B.37.8, James Woodward, Armchair, Norfolk, VA, 1803
GENERAL DESCRIPTION
The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.
1985.B.37.7, James Woodward, Armchair, Norfolk, VA, 1803
GENERAL DESCRIPTION
The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.
1985.B.37.6, James Woodward, Armchair, Norfolk, VA, 1803
GENERAL DESCRIPTION
The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.
1985.B.37.5, James Woodward, Armchair, Norfolk, VA, 1803
GENERAL DESCRIPTION
The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.