Object Notes

Planes and spaces exchange roles, defining one another through their interactive relationships.

In this alternately dreamlike and precise photograph, Catherine Opie takes a risk by portraying a well-worn stereotype about Southern California.

Anne Collier’s photographs are cool and detached, rigorously circumscribed in format or presentation, and almost always neutrally record objects that already exist in the world.

Interested in obscuring the boundaries between commercial and fine art photography, Anne Collier employs found images - from vinyl record covers to books, magazines, advertisements, movie stills, and more.

Amy Blakemore's diaristic photographs explore a range of day-to-day subjects that generally insinuate a voyeuristic vantage point.

Photographs by artist Annette Kelm appear to follow conventional forms of the photographic tradition, featuring still lifes [2016.16.1], portraits [2016.16.2], and object photographs [

David Avison’s panoramic view of Martha’s Vineyard is an expansion of fellow photographer Garry Winogrand’s approach to street photography [See

Tony Smith was an artist familiar with architecture as well as sculpture; his work incorporates both types of construction. The uncluttered geometry of a work like "Willy" has the force of an architectural building.