GENERAL DESCRIPTION
As the leading figure in America’s street photography movement, Garry Winogrand carried a 35mm Leica and took pictures constantly for over three decades. From the multitude of exposed frames, he carefully selected the images with the most potential for narrative interpretations. These stories are never defined by Winogrand’s titles or commentary; instead, they are left open-ended for each viewer to contemplate.
Excerpt from
- Emily Schiller, Label text, Center for Creative Connections, 2018.
NOTES
Catalogue essays
Artist/designers
Winogrand_Garry: ULAN: 500014550
Cultures
United States (nation): TGN: 7012149
Geography
New York (New York/United States): TGN: 7007567
Process/materials
gelatin silver prints: AAT: 300128695
documentary photography: AAT: 300134547
photography (discipline): AAT: 300389795
Historical periods
Individuals
Subject terms
children (people by age group): AAT: 300025945
coats (garments): AAT: 300046143
hats (headgear): AAT: 300046106
mothers: AAT: 300025932
street scenes: AAT: 300386103
streets: AAT: 300008247
trash cans: AAT: 300197614
vacant lots: AAT: 300122264
winter (season): AAT: 300133101
RELATED OBJECTS
PROVENANCE
1975: Dallas Museum of Fine Arts, purchased from the artist through a grant from the Polaroid Foundation [1]
The main source for this provenance is the Acquisition Check List, signed Robert M. Murdock, Curator, copy in Dallas Museum of Art Collections Records object file. Exceptions and supporting documentation are noted.
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- International Center of Photography~Learn more about Garry Winogrand's work and career.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1975.88
Category
rules_operator
AND
General Description
As the leading figure in America’s street photography movement, Garry Winogrand carried a 35mm Leica and took pictures constantly for over three decades. From the multitude of exposed frames, he carefully selected the images with the most potential for narrative interpretations. These stories are never defined by Winogrand’s titles or commentary; instead, they are left open-ended for each viewer to contemplate.
Excerpt from
- Emily Schiller, Label text, Center for Creative Connections, 2018.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Winogrand_Garry: ULAN: 500014550
Cultures
United States (nation): TGN: 7012149
Geography
New York (New York/United States): TGN: 7007567
Process/materials
gelatin silver prints: AAT: 300128695
documentary photography: AAT: 300134547
photography (discipline): AAT: 300389795
Historical periods
Individuals
Subject terms
children (people by age group): AAT: 300025945
coats (garments): AAT: 300046143
hats (headgear): AAT: 300046106
mothers: AAT: 300025932
street scenes: AAT: 300386103
streets: AAT: 300008247
trash cans: AAT: 300197614
vacant lots: AAT: 300122264
winter (season): AAT: 300133101
RELATED OBJECTS
PROVENANCE
1975: Dallas Museum of Fine Arts, purchased from the artist through a grant from the Polaroid Foundation [1]
The main source for this provenance is the Acquisition Check List, signed Robert M. Murdock, Curator, copy in Dallas Museum of Art Collections Records object file. Exceptions and supporting documentation are noted.
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1975.88
source file
object_notes_2_b-0234.xml.nores