GENERAL DESCRIPTION
Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images. With certain facial features more distinct than others, Bohnen's experiments demonstrate the way minor actions can drastically change the structure of each portrait.
Excerpt from
Chelsea Pierce, Soft Focus, Label copy [1983.571], 2018.
NOTES
- updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1983: Collection of Alan Sonfist, New York, NY
From 1983: Dallas Museum of Art, gift of the above [1]
[1] See multiple letters in Collections Records Object File 1983.571.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1983.576
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General Description
Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images. With certain facial features more distinct than others, Bohnen's experiments demonstrate the way minor actions can drastically change the structure of each portrait.
Excerpt from
Chelsea Pierce, Soft Focus, Label copy [1983.571], 2018.
Fun Facts
Archival Resources
Web Resources
Notes
- updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1983: Collection of Alan Sonfist, New York, NY
From 1983: Dallas Museum of Art, gift of the above [1]
[1] See multiple letters in Collections Records Object File 1983.571.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1983.576
source file
object_notes_3_a-0002.xml.nores