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1942.42 John Sloan, Copyist at the Metropolitan Museum

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GENERAL DESCRIPTION  
The pursuit of culture receives affectionate teasing in this work by John Sloan, leader of the Ashcan school, the group of artists in early 20th-century New York who embraced the urban scene.

1955.1 Robert Gwathmey, Portrait of a Farmer's Wife

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GENERAL DESCRIPTION  
This silkscreen is based on an oil painting Robert Gwathmey completed three years previously.

1954.14 Hildegaard Haas, Fog

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GENERAL DESCRIPTION  
Like much of Hildegarde Haas’s work,

1990.223 Edward Hopper, Evening Wind

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GENERAL DESCRIPTION  
Edward Hopper sets up the viewer as a voyeur in this intimate scene.

1950.97 Rockwell Kent, Weltschmerz

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GENERAL DESCRIPTION  
Rockwell Kent created Weltschmerz on a 1919 trip to Alaska. Bold, with dramatic contrasts of black and white, it is one of a series of figure compositions exploring the theme of the essential loneliness of man.

1942.43 John Marin, Downtown New York or Park Row

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GENERAL DESCRIPTION  
New York City was a primary subject of Marin’s for many years. In 1912 he described his New York watercolors by saying: “While these powers are at work, pushing, pulling, sideways, downwards, upwards, I can hear the sound of their strife and there is great music being played.

1937.10 Paul Cadmus, The Fleet's In

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GENERAL DESCRIPTION  
In 1934, while working for the Works Progress Administration, Paul Cadmus received a commission from the U.S.

1947.37 Arthur Bowen Davies, Reclining Nude

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GENERAL DESCRIPTION  
This decorative nude study is typical of the work of Arthur Bowen Davies, whose subjects often contained a mixture of pastoral image

1975.84.M Charles Demuth, Zinnias

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GENERAL DESCRIPTION  
Rich and diverse colors interact with ivory black silhouettes, creating movement and depth in Charles Demuth’s Zinnias. Despite the beautiful effect, however, this is not just a floral study but rather an expression of emotion through floral forms.

1951.25 Thomas Wilmer Dewing, The Pink Dress

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GENERAL DESCRIPTION  
The hazy atmosphere and subtle color blends of this image of an ethereal, aristocratic woman exemplify the work of Thomas Dewing.

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