1954.14 Hildegaard Haas, Fog


GENERAL DESCRIPTION  
Like much of Hildegarde Haas’s work, Fog is a landscape that has been abstracted into its basic formal elements. Vegetation is represented through fields of textured color, and trees have been reduced to black lines. Incidentally, the trees also resemble musical notes on a staff, reflecting Haas’s interest in music. She considered her work to be synesthetic in nature, equating sounds with color and forms.

Born in Frankfurt, Germany, Haas studied art at the Art Students League in New York, where she encountered the abstract compositions of German and Russian modernism. Initially a painter, Haas taught herself to make woodblock prints. She exhibited her work with other New York printmakers before relocating to California.

Excerpt from
Sara Woodbury, DMA label text, 2011.

NOTES
Created 1950

April 2011

Catalogue essays

Artist/designers
Haas, Hildegaard (American, 1926-2002)

Cultures

Geography 
Place of origin: New York (New York/United States): TGN: 7007567

Process/materials
Color woodcut

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
From 1954: Dallas Museum of Fine Arts, Olmsted-Kirk Company Prize, 1st Dallas National Print Exhibition. [1]

[1]  The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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Apply to objects where number equals 1954.14

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General Description
 
Like much of Hildegarde Haas’s work, Fog is a landscape that has been abstracted into its basic formal elements. Vegetation is represented through fields of textured color, and trees have been reduced to black lines. Incidentally, the trees also resemble musical notes on a staff, reflecting Haas’s interest in music. She considered her work to be synesthetic in nature, equating sounds with color and forms.

Born in Frankfurt, Germany, Haas studied art at the Art Students League in New York, where she encountered the abstract compositions of German and Russian modernism. Initially a painter, Haas taught herself to make woodblock prints. She exhibited her work with other New York printmakers before relocating to California.

Excerpt from
Sara Woodbury, DMA label text, 2011.

Fun Facts

Archival Resources

Web Resources
 
Notes
Created 1950

April 2011

Catalogue essays

Artist/designers
Haas, Hildegaard (American, 1926-2002)

Cultures

Geography 
Place of origin: New York (New York/United States): TGN: 7007567

Process/materials
Color woodcut

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
From 1954: Dallas Museum of Fine Arts, Olmsted-Kirk Company Prize, 1st Dallas National Print Exhibition. [1]

[1]  The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

rules
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Objects
number
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1954.14
tags
#draft
#completed
%Archived
lines (geometric concept): AAT: 300056279
texture (artistic concept): AAT: 300400862
landscapes (representations): AAT: 300015636
trees (plants): AAT: 300132410
*American Art
@Russell
fields (land): AAT: 300343519
abstraction: AAT: 300056508
#routed
works on paper: AAT: 300189621
New York (New York/United States): TGN: 7007567
Art Students' League: ULAN: 500303709
suns (stars): AAT: 300379806
music (discipline): AAT: 300054146
%copyedited_Chloe
woodcuts (prints): AAT: 300041405
fog: AAT: 300055374
Frankfurt (inhabited place/Germany): TGN: 7193538
Haas_Hildegaard: DMA
source file
object_notes_2_a-0493.xml.nores