Ocean Park No. 29 is from a series of over one hundred serene, light-filled abstractions Richard Diebenkorn began painting in 1967.

From the beginning of his career in the mid-1960s into the early 1980s, Brice Marden applied a mixture of oil paint and wax to simple panels of canvas, which were generally joined in groups of two or more.

Although John Chamberlain was always willing to employ anything steel and painted in his work (a bench, signs, a lunch box, kitchen appliances, etc.), his signature source was steel used to make the mass-produced commodity cars.

Robert Mangold paints compositions of elegant elements that are connected in complex manners.

Larry Poons rose to prominence in the 1960s with his optically exciting, often brilliant colored, paintings of circles and ovals on solid backgrounds. These paintings were often categorized as "op," so-called for the optical effect they had on the viewer.