1975.60.FA Robert Mangold, Four Triangles Within a Square, 1974


GENERAL DESCRIPTION  
Robert Mangold paints compositions of elegant elements that are connected in complex manners. He is interested in painting as a vehicle for ideas that are carefully worked out prior to being put down on canvas and frequently works in series, concentrating on permutations of a particular composition. Mangold rarely creates a center in his paintings; and although the geometric forms in his work, created by thin lines which divide the canvas, appear to be precise and mathematically calculated, they are not. Instead, he devises the forms to construct a balance that invites contemplation.  In 1968, Mangold switched to spraying oil paint onto sheets of Masonite, which he had adopted to remove his touch, to rolling acrylic on canvas, reinforcing the flatness associated with the minimalist tradition. In the late 1960s, he also came to be associated with conceptual art. 

Adapted from
  • DMA label copy, 2014.
  • DMA unpublished material.

NOTES
Exhibitions: The Museum is History, 2014; Variations on a Theme, 2013; Re-Seeing the Contemporary, 2011
DMA unpublished material = Untitled document in the Collections Records object file (1975.60.FA).

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PROVENANCE 
Until 1975: Robert Mangold (b. 1937)

1975: Dallas Museum of Fine Arts, purchased through Cusack Gallery, Houston, Texas [1]

Notes:
The main source for this provenance is the invoice dated September 30, 1975, in the Collections Records object file (1975.60.FA).

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1984.

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General Description
 
Robert Mangold paints compositions of elegant elements that are connected in complex manners. He is interested in painting as a vehicle for ideas that are carefully worked out prior to being put down on canvas and frequently works in series, concentrating on permutations of a particular composition. Mangold rarely creates a center in his paintings; and although the geometric forms in his work, created by thin lines which divide the canvas, appear to be precise and mathematically calculated, they are not. Instead, he devises the forms to construct a balance that invites contemplation.  In 1968, Mangold switched to spraying oil paint onto sheets of Masonite, which he had adopted to remove his touch, to rolling acrylic on canvas, reinforcing the flatness associated with the minimalist tradition. In the late 1960s, he also came to be associated with conceptual art. 

Adapted from
  • DMA label copy, 2014.
  • DMA unpublished material.

Fun Facts

Archival Resources

Web Resources
 

Notes
Exhibitions: The Museum is History, 2014; Variations on a Theme, 2013; Re-Seeing the Contemporary, 2011
DMA unpublished material = Untitled document in the Collections Records object file (1975.60.FA).

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1975: Robert Mangold (b. 1937)

1975: Dallas Museum of Fine Arts, purchased through Cusack Gallery, Houston, Texas [1]

Notes:
The main source for this provenance is the invoice dated September 30, 1975, in the Collections Records object file (1975.60.FA).

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1984.

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1975.60.FA
tags
#draft
#completed
%Archived
canvas: AAT: 300014078
lines (geometric concept): AAT: 300056279
@Bilal-Gore
*Contemporary Art
lines (artistic concept): AAT: 300400858
Conceptual (style): AAT: 300264827
triangles (polygons): AAT: 300009806
balance (composition concept): AAT: 300056247
squares (geometric figures): AAT: 300055637
flat (form attributes): AAT: 300010345
Minimalism (post-1945 style): AAT: 300065758
pencil: AAT: 300022439
asymmetry (composition concept): AAT: 300056248
gray (color): AAT: 300130811
Mangold_Robert: ULAN: 500014482
source file
object_notes_4_a-0025.xml.nores