GENERAL DESCRIPTION
Ocean Park No. 29 is from a series of over one hundred serene, light-filled abstractions Richard Diebenkorn began painting in 1967. Named for the section of Santa Monica, California, in which he lived, these elegantly composed canvases are all distinguished by horizontal, diagonal, and vertical planes of luminous color and lines.
Diebenkorn’s fluid working process—erasures, corrections, and changes are left visible in the softly layered surface—was meant to create an illusion of varying depth, or, in his words, a “tension beneath calm.” Acknowledging his debt to Matisse, Diebenkorn created a subtle play of flatness and depth that, despite its geometric or architectonic structure, nonetheless evokes the sensuousness of a sun-filled interior space and the landscape of Southern California.
Excerpt from
DMA unpublished material, Label text, 2011.
NOTES
Exhibitions: Bold Abstractions, 2015; The Museum is History, 2014; Issues of Abstraction, 2011; Re-seeing the Contemporary 2010-2011; Abstract Expressionism: Gifts from the Meadows Foundation, 2003-2004; Recent Gifts from the Meadows Collection (DMFA), 1974
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Meadows Foundation, Inc., Dallas, Texas
1981: Dallas Museum of Fine Arts, gift from above [1]
Notes:
The main source for this provenance is the object record card in the Collections Records object file (1981.106).
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
- Art Everywhere audio clip, 36477558: UMO
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Dallas Museum of Art Uncrated~Photographing Ocean Park No. 29.
- Getty Center~Watch a curator speak about Diebenkorn's Ocean Park Series.
- NPR Morning Edition~Listen to a conversation about Richard Diebenkorn's Ocean Park Series.
ARCHIVAL RESOURCES
FUN FACTS
A Dallas Museum of Art poster of Richard Diebenkorn's Ocean Park #29 was used as part of the background set decoration in episodes of the television program "Melrose Place."
TEACHING IDEAS
RULES
apply to objects where number equals 1981.106
Category
rules_operator
AND
General Description
Ocean Park No. 29 is from a series of over one hundred serene, light-filled abstractions Richard Diebenkorn began painting in 1967. Named for the section of Santa Monica, California, in which he lived, these elegantly composed canvases are all distinguished by horizontal, diagonal, and vertical planes of luminous color and lines.
Diebenkorn’s fluid working process—erasures, corrections, and changes are left visible in the softly layered surface—was meant to create an illusion of varying depth, or, in his words, a “tension beneath calm.” Acknowledging his debt to Matisse, Diebenkorn created a subtle play of flatness and depth that, despite its geometric or architectonic structure, nonetheless evokes the sensuousness of a sun-filled interior space and the landscape of Southern California.
Excerpt from
DMA unpublished material, Label text, 2011.
Fun Facts
A Dallas Museum of Art poster of Richard Diebenkorn's Ocean Park #29 was used as part of the background set decoration in episodes of the television program "Melrose Place."
Archival Resources
Web Resources
- Dallas Museum of Art Uncrated~Photographing Ocean Park No. 29.
- Getty Center~Watch a curator speak about Diebenkorn's Ocean Park Series.
- NPR Morning Edition~Listen to a conversation about Richard Diebenkorn's Ocean Park Series.
Notes
Exhibitions: Bold Abstractions, 2015; The Museum is History, 2014; Issues of Abstraction, 2011; Re-seeing the Contemporary 2010-2011; Abstract Expressionism: Gifts from the Meadows Foundation, 2003-2004; Recent Gifts from the Meadows Collection (DMFA), 1974
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Meadows Foundation, Inc., Dallas, Texas
1981: Dallas Museum of Fine Arts, gift from above [1]
Notes:
The main source for this provenance is the object record card in the Collections Records object file (1981.106).
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
- Art Everywhere audio clip, 36477558: UMO
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1981.106
source file
object_notes_2_d-0080.xml.nores