Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.

Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.

Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.

Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.

The bronze sculpture Sea Form (Atlantic) has a two-color patination which is symbolic of its motif, the massive overall form being a murky brown-black, the recessed areas a contrasting brilliant blue green.

In a series of four photographs [2005.103.1, 2005.103.2, 2005.103.3], Bill Owens has captured a particular place and time

In a series of four photographs [2005.103.1, 2005.103.2, 2005.103.4], Bill Owens has captured a particular place and

In a series of four photographs [2005.103.1, 2005.103.3, 2005.103.4], Bill Owens has captured a particular place and time in the United St

In a series of four photographs [2005.103.2, 2005.103.3, 2005.103.4], Bill Owens has captured a particular place and time in th