The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.

The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.

The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.

The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.

The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.

The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.

The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.

The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.

The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.