Hannah Collins's huge works mimic the dynamics of traditional history and landscape painting, while remaining firmly within our own time in their use of photographic images and processes.

Planes and spaces exchange roles, defining one another through their interactive relationships.

In this alternately dreamlike and precise photograph, Catherine Opie takes a risk by portraying a well-worn stereotype about Southern California.

Anne Collier’s photographs are cool and detached, rigorously circumscribed in format or presentation, and almost always neutrally record objects that already exist in the world.

Interested in obscuring the boundaries between commercial and fine art photography, Anne Collier employs found images - from vinyl record covers to books, magazines, advertisements, movie stills, and more.