2000.367, Hannah Collins, True Stories 5, 2000

Hannah Collins's huge works mimic the dynamics of traditional history and landscape painting, while remaining firmly within our own time in their use of photographic images and processes. In this work, Collins pictures Barcelona, Spain, in all its diffuse idiosyncrasies of television antennae, communication lines, rooftops, and sky, with a sense of the hills behind. Her work is simultaneously romantic, and a clear-eyed view of a vibrant city existing beneath a huge expanse of sky, alternating ideas of present realities with the eternal vastness of worlds above and beyond. 

 

Charles Wylie, DMA unpublished material, 2000.

Until 2000: Anonymous Collection, Dallas, Texas [1]

From 2000: Dallas Museum of Art, gift of the above

[1] See copy of check #992 in Collections Records Object File 2000.367

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