During Konrad Lueg’s brief career as a painter from 1963 to 1968—before changing his name and owning the leg­endary Konrad Fischer Gallery in Düsseldorf—he made major contributions to the discourse around painting and consumerism in Germany.

Darren Bader is known for his innovative and unconven­tional uses of materials that push the boundaries of sculp­ture and activate environments with unexpected pairings and phenomenological experiences.

While Erin Shirreff creates works of video, photography, and sculpture, she considers herself—first and foremost— a sculptor. This can be seen in the artist’s unwavering investigation of the sculptural object through other medi­ums.

Created when the artist was seventy-six years old, Imayō Ranbu is an immensely powerful later example of Kazuo Shiraga’s foot paintings.

In his practice of appropriation, deconstruction, and reconfiguration, Danh Vo considers quotidian objects to be witnesses to narratives of both personal and global significance.

In this painting, along with its pendant Yellow Fever [2014.15.1], two women sit opposite one another, engaged in a staring contest.

In this painting, along with its pendant 1 800 Bad Drug [2014.15.2], two women sit opposite one another, engaged in a staring contest.

This painting is from a group of on-site works of the same location, executed at the same time of day, sunset, over the period of one year. Together, they function as a set of mug shots of the place where victims of three unrelated murders were found the previous year.