GENERAL DESCRIPTION
As the leading figure in America’s street photography movement, Garry Winogrand carried a 35mm Leica and took pictures constantly for over three decades. From the multitude of exposed frames, he carefully selected the images with the most potential for narrative interpretations. These stories are never defined by Winogrand’s titles or commentary, instead they are left open-ended for each viewer to contemplate.
Excerpt from
- Emily Schiller, Label text, Center for Creative Connections, 2018.
NOTES
Catalogue essays
Artist/designers
Winogrand_Garry: ULAN: 500014550
Cultures
Geography
New York (New York/United States): TGN: 7007567
United States (nation): TGN: 7012149
Process/materials
gelatin silver prints: AAT: 300128695
documentary photography: AAT: 300134547
photography (discipline): AAT: 300389795
Historical periods
Individuals
Subject terms
beadwork: AAT: 300053647
beauty (aesthetic concepts): AAT: 300055821
children (people by age group): AAT: 300025945
hippies (people by ideology): AAT: 300254977
kites (equipment): AAT: 300218777
lace (needlework): AAT: 300132861
parks (recreation areas): AAT: 300008187
politics: AAT: 300055537
protests: AAT: 300263294
public spaces: AAT: 300263422
women (female humans): AAT: 300025943
youth (life stages): AAT: 300305226
RELATED OBJECTS
PROVENANCE
Before 1995: Paul Brauchle, Dallas
1995: Dallas Museum of Art, gift of above
The main source for this provenance is the Object Summary dated July 11, 1996; see also the Deed of Gift dated January 4, 1996. Copies of both documents located in Dallas Museum of Art Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- International Center of Photography~Learn more about Garry Winogrand's work and career.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1995.152
Category
rules_operator
AND
General Description
As the leading figure in America’s street photography movement, Garry Winogrand carried a 35mm Leica and took pictures constantly for over three decades. From the multitude of exposed frames, he carefully selected the images with the most potential for narrative interpretations. These stories are never defined by Winogrand’s titles or commentary, instead they are left open-ended for each viewer to contemplate.
Excerpt from
- Emily Schiller, Label text, Center for Creative Connections, 2018.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Winogrand_Garry: ULAN: 500014550
Cultures
Geography
New York (New York/United States): TGN: 7007567
United States (nation): TGN: 7012149
Process/materials
gelatin silver prints: AAT: 300128695
documentary photography: AAT: 300134547
photography (discipline): AAT: 300389795
Historical periods
Individuals
Subject terms
beadwork: AAT: 300053647
beauty (aesthetic concepts): AAT: 300055821
children (people by age group): AAT: 300025945
hippies (people by ideology): AAT: 300254977
kites (equipment): AAT: 300218777
lace (needlework): AAT: 300132861
parks (recreation areas): AAT: 300008187
politics: AAT: 300055537
protests: AAT: 300263294
public spaces: AAT: 300263422
women (female humans): AAT: 300025943
youth (life stages): AAT: 300305226
RELATED OBJECTS
PROVENANCE
Before 1995: Paul Brauchle, Dallas
1995: Dallas Museum of Art, gift of above
The main source for this provenance is the Object Summary dated July 11, 1996; see also the Deed of Gift dated January 4, 1996. Copies of both documents located in Dallas Museum of Art Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1995.152
source file
object_notes_2_b-0221.xml.nores