Object Notes

The bronze sculpture Sea Form (Atlantic) has a two-color patination which is symbolic of its motif, the massive overall form being a murky brown-black, the recessed areas a contrasting brilliant blue green.

In a series of four photographs [2005.103.1, 2005.103.2, 2005.103.3], Bill Owens has captured a particular place and time

In a series of four photographs [2005.103.1, 2005.103.2, 2005.103.4], Bill Owens has captured a particular place and

In a series of four photographs [2005.103.1, 2005.103.3, 2005.103.4], Bill Owens has captured a particular place and time in the United St

In a series of four photographs [2005.103.2, 2005.103.3, 2005.103.4], Bill Owens has captured a particular place and time in th

Moore found that the reclining figure offered endless possibilities for the exploration of the human and organic form. He explained: "I think the reclining figure gave me a chance, a kind of subject matter, to create new forms within it." [1] He fragmented the figure in order to suggest forms of landscape.

The primary motif of this censer is the landscape around the famous Itsukushima Shrine, located on the Japan Sea in western Japan. The cover is worked in a variety of flowers in various metals and alloys.