Object Notes

1975.82, Diane Arbus, Untitled, 1968


GENERAL DESCRIPTION  
The photographs of Diane Arbus, which only became well known after her death, with the major exhibition organized by the Museum of Modern Art, are some of the most haunting images in 20th century art. Her subjects, often dealing with the grotesque or bizarre, are penetrating and intense.

1983.579, Blythe Bohnen, Self-Portraits; head in Motion, 1978, gelatin silver print


GENERAL DESCRIPTION  
Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.

1983.575, Blythe Bohnen, Self-Portraits; head in Motion, 1978, gelatin silver print


GENERAL DESCRIPTION  
Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.

1983.581, Blythe Bohnen, Self-Portraits; head in Motion, 1978, gelatin silver print


GENERAL DESCRIPTION  
Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.

1983.571, Blythe Bohnen, Self-Portraits; head in Motion, 1978, gelatin silver print


GENERAL DESCRIPTION  
Trained as a painter, Blythe Bohnen began using photography to capture the motion of her gestures on canvas. Later, she made a series of self-portraits using a timed shutter and precise movements that resulted in blurred, nearly abstracted images.