Thomas Demand (b. 1964)

GENERAL DESCRIPTION
Photographer and filmmaker Thomas Demand was born in Munich, Germany, in 1964. He studied at the Academy of Fine Arts, Munich (1987-89), the Düsseldorf Art Academy (1989-92), Cité des Arts, Paris (1992), Goldsmiths' College, London (1993-4), and Rijksakademie, Amsterdam (1995).

Arte Povera

GENERAL DESCRIPTION
Arte povera  ('impoverished art') was named by art critic Germano Celant after seeing an exhibition at Bretesca Gallery in Genoa in 1967.

Postmodernism

GENERAL DESCRIPTION
Postmodernism describes an approach toward art that arose during the 1970s, and which constituted a departure from the aesthetics, theory, and ideals of modernism. During the seventies, artists expanded artmaking beyond the established realms of painting and sculpture to include performance, time-based media, photography, fiber, and earth art.

Postcolonialism

GENERAL DESCRIPTION
Postcolonialism is an academic mode of thinking that acknowledges and examines the continuing economic, cultural, and social repercussions of colonialism and imperialism. Postcolonial thinking has affected the discourses surrounding art and art history, in that some artists make work in response to the aftermath of colonial rule, frequently addressing issues of national and cultural identity, race, and ethnicity.

Mono-ha

GENERAL DESCRIPTION
Mono-ha, which translates roughly as “School of Things,” was a Tokyo-based contemporary art movement that developed in the late 1960s and lasted until the early 1970s. Founded by Nobuo Sekine (b. 1942), and fellow artist Lee Ufan (b.

Postminimalism

GENERAL DESCRIPTION
Postminimalism refers to a broad movement in the United States during the sixties, characterized by divergent aesthetics and strategies that departed from the severe aesthetics of minimalism. While retaining some of the philosophies of minimalism, including a focus on materials, some postminimalist artists expanded their practices to include textiles, rubber, foam, latex, and other materials that make abstract reference to the human body.

Indonesia

GENERAL DESCRIPTION
Modern Indonesia is the world’s fourth most-populous country, comprising almost two hundred fifty million inhabitants speaking more than three hundred different languages. The majority (approximately 86 percent of the population) are Muslim, but sizable minorities practice Christianity, Buddhism, and Hinduism, in addition to various ancient animistic traditions.

Themes in Traditional Indonesian Arts

GENERAL DESCRIPTION
In most of the more than three hundred ethnic groups in Indonesia, one encounters the tradition that when claim­ing the new land, the mythical founder first had to deal with its autochthonous inhabitants—some of them human, some of them the spirits that had always been there, associated with the natural world and predating the arrival of humankind.

Ancestors in Traditional Indonesian Cultures

GENERAL DESCRIPTION
In all traditional Indonesian cultures, ancestors were the preeminent spiritual authorities. They included the earliest settlers, and people memorized genealogies that led from primeval, mythical times to their immediate forebears. Since memories are limited and writing was generally unknown, intervening generations were often compressed into just a few names.