1988.80 Jeremiah Theus, Mary Trusler
GENERAL DESCRIPTION
Painted about five years into Mary Trusler's second marriage, her portrait reveals Jeremiah Theus's direct observation of his Charlestonian sitter, her desire for elegant representati
Colonial Portraiture—Costumes and Backdrops
GENERAL DESCRIPTION
Today we are familiar with the props found in a commercial photographer's studio: dresses, hats, toys, chairs, and even painted or photographic backdrops of snow scenes or sunlit meadows, and cozy interiors or grand salons.
Dialogues: Duchamp, Cornell, Johns, Rauschenberg
GENERAL DESCRIPTION
The following text is adapted from the Dallas Museum of Art catalog originally published in 2005, in conjunction with the exhibition Dialogues: Duchamp, Cornell, Johns, Rauschenberg.
Gilbert Stuart (1755-1828)
GENERAL DESCRIPTION
The pre-eminent American portraitist of his day, Stuart painted virtually all the country's leading figures and is particularly well known for his different studies of George Washington. By Americanizing the English grand manner tradition, he created a chapter in American art history that is one of its most distinct and distinguished.
1985.R.57 Pierre-Auguste Renoir, The Bather
GENERAL DESCRIPTION
1986.277 Edgar Degas, Ballet Dancers on the Stage
GENERAL DESCRIPTION
In the 1880s and 1890s, Edgar Degas became increasingly fascinated by the ballet, especially its physical demands on dancers.
1978.68.FA Unknown, Portrait of Paul Verlaine as a Troubadour
GENERAL DESCRIPTION
Paul Verlaine, a poet as revolutionary as the Impressionists were as painters, is shown in a vaguely Medieval costume, as a
1981.33.FA Honoré Daumier, Outside the Print Sellers
GENERAL DESCRIPTION
Famous for his political and satirical cartoons, Honoré Daumier was also a painter and sculptor.
1986.8.A-B, Robert Rauschenberg, Skyway, 1964, oil and silkscreen on canvas
GENERAL DESCRIPTION
Robert Rauschenberg's gigantic Skyway was originally commissioned by the renowned ar