Niobe, the queen of Thebes, shelters her youngest daughter from Apollo and Diana‘s arrows. The queen’s thirteen other children lie wounded or dead in the painting’s foreground.

The Bath of Diana dates from 1855, a highpoint in Jean-Baptiste-Camille Corot's career when his works were greatly admired at the Exposition Universelle in Paris.

In this enigmatic scene, Jean-Baptiste-Camille Corot uses energetic lines to describe a variety of forms and textures, particularly in the two trees in the foreground.

Jean-Baptiste-Camille Corot's love for landscape and light, his favorite subject matter throughout his career, began on childhood walks with a nature-loving, family friend.

Lady Godiva is the first life-sized marble figure executed by Anne Whitney, one of America’s premiere women sculptors working durin

Waterfall is a remarkable product from one of the most innovative periods of Henrietta Shore’s long car

Fruit Still Life with Champagne Bottle is among the earliest known signed and dated works Severin Roesen painted in the United States. As such it occupies a singularly important niche in his career, and in the development of American still life painting.