1999.49.a-b, Covered vegetable dish, c. 1929-1935, manufacturer: L. Bernardaud & Cie, Limoges, France. porcelain with printed and gilded decoration
GENERAL DESCRIPTION
In 1929, well-known manufacturers of dinnerware Bernardaud & Cie.
Shango
GENERAL DESCRIPTION
Shango—the Yoruba god of thunder, giver of children, and "patron saint" of twins—once lived among men as a brilliant but capricious military general who became the fourth king (alafin) of the ancient Oyo Yoruba empire. He had a volatile temper, and when he ranted, fire issued from his mouth.
Manowulo (active c. 1935-1960)
GENERAL DESCRIPTION
Manowulo was a sculptor active from circa 1935 to 1960 in the Baoma chiefdom, north of Jaiama-Bongor and near the town of Bo in Central Mendeland. Many masks carved by Manowulo and his apprentices were still in use in the 1970s when the anthropologist Ruth B.
Appliqué
GENERAL DESCRIPTION
Appliqué is a technique of decorating by adding materials to a cloth's surface. The artist cuts out pieces of cloth of different colors, textures, and shapes and then stitches them onto the foundation cloth.
1996.187.1, "Biarritz" shape plate with No. 5948 pattern, c. 1933, designer: Clarice Cliff, manuf: Arthur J. Wilkinson Ltd, Royal Staffordshire Pottery, Burslem, England, Earthenware with painted decoration
GENERAL DESCRIPTION
The high modernist taste for streamlined shapes and spartan decoration is embodied in Clarice Cliff's designs of the 1930s. Her direct inspiration came from the work of French designer Jean Tetard, from whom Cliff took the idea for the very successful Stamford shape around 1930.
2001.150, "Biarritz" salad plate with No. 5948 pattern, c. 1933, designer: Clarice Cliff, manuf: Arthur J. Wilkinson Ltd, Royal Staffordshire Pottery, Burslem, England, Earthenware with painted decoration copy copy
GENERAL DESCRIPTION
Square plates became a fashionable alternative to the more conventional round shape early in the 1930s, as designers sought to express a new vocabulary of geometrical forms inspired by the Machine Age.
2001.151, "Biarritz" dinner plate with No. 5948 pattern, c. 1933, designer: Clarice Cliff, manuf: Arthur J. Wilkinson Ltd, Royal Staffordshire Pottery, Burslem, England, Earthenware with painted decoration
GENERAL DESCRIPTION
Square plates became a fashionable alternative to the more conventional round shape early in the 1930s, as designers sought to express a new vocabulary of geometrical forms inspired by the Machine Age.
1996.187.2.A-B, "Biarritz" shape cup and saucer with No. 5948 pattern, c. 1933, designer: Clarice Cliff, manuf: Arthur J. Wilkinson Ltd, Royal Staffordshire Pottery, Burslem, England, Earthenware with painted decoration copy
GENERAL DESCRIPTION
The high modernist taste for streamlined shapes and spartan decoration was embodied in Clarice Cliff's designs of the 1930s. Her direct inspiration came from the work of French designer Jean Tetard, from whom Cliff took the idea for the very successful Stamford shape around 1930.
1999.37.1, Plate, c. 1933, designer: Jean Luce, unknown factory, manufacturer, Limoges, France, earthenware with platinum decoration
GENERAL DESCRIPTION
Square plates became a fashionable alternative to the more conventional round shape early in the 1930s, as designers sought to express a new vocabulary of geometrical forms inspired by the Machine Age.
1999.37.2, Plate, c. 1933, designer: Jean Luce, unknown factory, manufacturer, Limoges, France, earthenware with platinum decoration copy
GENERAL DESCRIPTION
Square plates became a fashionable alternative to the more conventional round shape early in the 1930s, as designers sought to express a new vocabulary of geometrical forms inspired by the Machine Age.