1985.R.930.A-C, Teapot, porcelain, China, 18th century


GENERAL DESCRIPTION  
Introduced into Europe during the 17th century, tea drinking was a popular custom by the middle of the 18th century. Tea, spices, silks, and porcelain made up most of the cargoes of the sailing ships of the Dutch, English, Danish, Swedish, and Portugese East India Companies. Wealthy Europeans demanded more varied and colorful tea wares than the familiar blue and white Canton.

1985.R.1043, Plate, porcelain, China, 1705-1735


GENERAL DESCRIPTION  
This delicate and finely painted plate is one of an identical pair. Its double border decoration is unusual and is enriched by a rare use of silvered enamel (moyin) on the rim, which also has alternating gold and enamel outlined reserves of blue enamel flowers and gilt lotuses within a brocaded grisaille rice grain pattern.

1985.R.1044, Plate, porcelain, China, 1705-1735


GENERAL DESCRIPTION  
This delicate and finely painted plate is one of an identical pair. Its double border decoration is unusual and is enriched by a rare use of silvered enamel (moyin) on the rim, which also has alternating gold and enamel outlined reserves of blue enamel flowers and gilt lotuses within a brocaded grisaille rice grain pattern.

1985.R.823, Large basin, porcelain, China, 18th century


GENERAL DESCRIPTION  
This large bowl, one of a pair (see 1985.R.824), was used for the storage of liquid or as jardinieres for flowering plants or other small trees. Its main decoration of large scale tree peonies and other exotic flowers is painted in the famille rose palette. The borders are of key fret, scroll, spiral, and blossom.

1985.R.824, Large basin, porcelain, China, 18th century


GENERAL DESCRIPTION  
This large bowl, one of a pair (see 1985.R.823), was used for the storage of liquid or as jardinieres for flowering plants or other small trees. Its main decoration of large scale tree peonies and other exotic flowers is painted in the famille rose palette. The borders are of key fret, scroll, spiral, and blossom.

House door (oromatan)

GENERAL DESCRIPTION
The great communal houses of Indonesia's traditional peoples reflect man's place in a tripartite cosmos, where humans live in the middle world, on earth, between heaven and the underworld. Notions of duality, portents of cardinal directions, and the dictates of the first ancestors are honored in these often elaborate buildings that are in many ways a microcosm of each group's belief system. Often the houses of aristocratic clans were beautifully embellished with carvings and painted designs.

2013.3 House door (oromatan)


GENERAL DESCRIPTION  
This pivot-style wooden door is adorned with the carved image of a female with a small head, minimal features, and a rotund body displaying prominent breasts. She stands with her arms akimbo (hands on hips, elbows out) and her feet apart.