1985.R.930.A-C, Teapot, porcelain, China, 18th century


GENERAL DESCRIPTION  
Introduced into Europe during the 17th century, tea drinking was a popular custom by the middle of the 18th century. Tea, spices, silks, and porcelain made up most of the cargoes of the sailing ships of the Dutch, English, Danish, Swedish, and Portugese East India Companies. Wealthy Europeans demanded more varied and colorful tea wares than the familiar blue and white Canton. The Reves Collection has a group of unusual teapots which indicate how China responded to this increasingly sophisticated taste.

This teapot is of traditional Chinese shape with sloping, swelling sides and a domed lid. It has applied porcelain reliefs of plum blossoms, twigs, and chrysanthemums as well as painted borders in iron-red and gold. The lid finial is naturalistically modeled in the form of a leafed twig. 

Adapted from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 201.

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Introduced into Europe during the 17th century, tea drinking was a popular custom by the middle of the 18th century. Tea, spices, silks, and porcelain made up most of the cargoes of the sailing ships of the Dutch, English, Danish, Swedish, and Portugese East India Companies. Wealthy Europeans demanded more varied and colorful tea wares than the familiar blue and white Canton. The Reves Collestion has a group of unusual teapots which indicate how China responded to this increasingly sophisticated taste.

The teapot on the left is of traditional Chinese shape with sloping, swelling sides and a domed lid. It has applied porcelain reliefs of plum blossoms, twigs, and chrysanthemums as well as painted borders in iron-red and gold. The lid finial is naturalistically modeled in the form of a leafed twig. The other teapot is the same shape, but has applied leaves, twigs, and squirrels in iron-red, green, and gold. 

Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 201.

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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WEB RESOURCES 
The Metropolitan Museum of Art~Read more about Chinese Export Porcelain

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Apply to objects where number equals 1985.R.930.A-C

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General Description
 
Introduced into Europe during the 17th century, tea drinking was a popular custom by the middle of the 18th century. Tea, spices, silks, and porcelain made up most of the cargoes of the sailing ships of the Dutch, English, Danish, Swedish, and Portugese East India Companies. Wealthy Europeans demanded more varied and colorful tea wares than the familiar blue and white Canton. The Reves Collection has a group of unusual teapots which indicate how China responded to this increasingly sophisticated taste.

This teapot is of traditional Chinese shape with sloping, swelling sides and a domed lid. It has applied porcelain reliefs of plum blossoms, twigs, and chrysanthemums as well as painted borders in iron-red and gold. The lid finial is naturalistically modeled in the form of a leafed twig. 

Adapted from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 201.

Fun Facts

Archival Resources

Web Resources
 
The Metropolitan Museum of Art~Read more about Chinese Export Porcelain

Notes
TMS Updates
provenance
search dates
text entry
place of origin

Introduced into Europe during the 17th century, tea drinking was a popular custom by the middle of the 18th century. Tea, spices, silks, and porcelain made up most of the cargoes of the sailing ships of the Dutch, English, Danish, Swedish, and Portugese East India Companies. Wealthy Europeans demanded more varied and colorful tea wares than the familiar blue and white Canton. The Reves Collestion has a group of unusual teapots which indicate how China responded to this increasingly sophisticated taste.

The teapot on the left is of traditional Chinese shape with sloping, swelling sides and a domed lid. It has applied porcelain reliefs of plum blossoms, twigs, and chrysanthemums as well as painted borders in iron-red and gold. The lid finial is naturalistically modeled in the form of a leafed twig. The other teapot is the same shape, but has applied leaves, twigs, and squirrels in iron-red, green, and gold. 

Excerpt from
Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 201.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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1985.R.930.A-C
tags
#draft
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%copyedited_Gail
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handles: AAT: 300024927
*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
beverages: AAT: 300389821
lids (covers): AAT: 300045712
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
floral patterns: AAT: 300010135
porcelain (visual works): AAT: 300386874
porcelain (material): AAT: 300010662
leaf (plant material): AAT: 300011892
Chinese export porcelain: AAT: 300387409
famille (ceramics style): AAT: 300265757
applied decoration: AAT: 300229940
famille rose (ceramics style): AAT: 300254689
finials: AAT: 300002280
tea services: AAT: 300227686
teapots: AAT: 300043022
tea (beverage): AAT: 300249828
spouts (container components): AAT: 300197224
Chrysanthemum (plants/genus): AAT: 300379959
burnt sienna (color): AAT: 300266263
source file
object_notes_1_a-0165.xml.nores