2013.32.FA Charles-Antoine Coypel, The Blacksmith Cupids
GENERAL DESCRIPTION
Originally set just above an fireplace in a royal bedroom, Charles-Antoine Coypel’s painting is playful on two levels. Forging arrows, of course, required the assistance of flames, while “fire” referred metaphorically to the desires Cupid sparked. We see atop the composition a levitating Amour who holds an arrow at the ready and points to his left.
Pietre Dure (process)
GENERAL DESCRIPTION
Pietre Dure is a process of creating works in which pieces of hard, polished stone of varying shapes are set into marble or another hard surface to form a pattern.
Boulle
GENERAL DESCRIPTION
Marquetry comprised of brass and tortoise shell, applied to furniture especially in the late 17th and early 18th centuries.
Cabinet-on-Stand
GENERAL DESCRIPTION
During the first half of the 17th century, the cabinet-on-stand became an important furniture form in Italy; it was soon imitated in both western and northern Europe.
Greece: Man and Nature
GENERAL DESCRIPTION
The following essay is from the 1996 publication Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art.
The Near East: Cult and Craftsmanship
GENERAL DESCRIPTION
The following essay is from the 1996 publication Gods, Men, and Heroes: Ancient Art at the Dallas Museum of Art.
Namban
GENERAL DESCRIPTION
Namban refers to the style of art connected with European missionaries and merchants in Japan during the 16th and 17th centuries, including Japanese artists painting in a Western style, European imported art, and traditonal Japanese art depicting Europeans. Taught by Jesuit priest Giovanni Niccolo in 1583, artists produced works in a traditional Western style, often religious in theme.
Marquetry
GENERAL DESCRIPTION
Marquetry refers to the technique in which small pieces of specially shaped wood, or sometimes other materials such as ivory, are incorporated into a suface of decorative veneer.