1985.R.64.b, Picture Frame, France, c. 1750
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GENERAL DESCRIPTION
This Rococo frame is among the finest in the United States. Although it employs the standard corner and center format, the quality of its carving is so high that it must have been commissioned by a major patron for a great work&nb
Staffordshire Potteries
GENERAL DESCRIPTION
Staffordshire, in central England, became a center of ceramic production beginning in the mid-17th century both due to the thick layers of clay that lay only a few feet below its surface, and the abundance of available coal to fuel kiln fires. The 100 square mile industrial area known as 'Staffordshire' encompasses the towns of Burslem, Fenton, Hanley, Longton, Stoke, and Tunstall, and is collectively known as the S
African Textiles
GENERAL DESCRIPTION
African visual arts have undoubtedly inspired Western artists and textile, furniture, household, and fashion designers to create works of art and consumer products.
1996.15, Goblet with "Nasreen" pattern decoration, c. 1930
GENERAL DESCRIPTION
The etched decoration of this goblet is characteristic of glass created by American stemware producers in the very late 1920s and early 1930s. The decorative motifs ranged from stylized foliage, to geometric art deco designs (as seen here) to tropical figural scenes.
1985.R.346, Frame, Spain, c. 1550
GENERAL DESCRIPTION
The picture frame is now so ubiquitous that one forgets that, like all familiar forms, it was an invention. Although frames were originally conceived to protect the picture physically and enhance it aesthetically, their invention led gradually to the creation of a separate type of craft associated more often with furniture making than with the creation of pictures themselves.
1985.R.445.A-B, Mirror, 18th century
GENERAL DESCRIPTION
1985.R.433, Mirror, Italy, 18th century
GENERAL DESCRIPTION
1985.R.406, Mirror, Italy, late 17th-early 18th century
GENERAL DESCRIPTION
1985.R.380, Dodecagon Frame, Netherlands, 17th century
GENERAL DESCRIPTION
Extensive use of tortoise shell decoration on frames, boxes, and cabinets was one result of the world-wide sea trade of Spain and the Spanish Netherlands (Flanders). Frame makers often used colored papers or metallic foil behind the shell or tinted it, as here, to enrich its color.