In 1985, the Dallas Museum of Art's textile holdings experienced remarkable growth with the addition of The Wendy and Emery Reves extensive decorative arts collection.

In 1985, the Dallas Museum of Art's textile holdings experienced remarkable growth with the addition of The Wendy and Emery Reves extensive decorative arts collection.

In 1985, the Dallas Museum of Art's textile holdings experienced remarkable growth with the addition of The Wendy and Emery Reves extensive decorative arts collection.

In 1985, the Dallas Museum of Art's textile holdings experienced remarkable growth with the addition of The Wendy and Emery Reves extensive decorative arts collection.

In 1985, the Dallas Museum of Art's textile holdings experienced remarkable growth with the addition of The Wendy and Emery Reves extensive decorative arts collection.

In the late 17th century, aristocratic European taste moved away from imported blue and white porcelains, and people were willing to pay more for the polychrome enamels exported to Jingdezhen.

In the late 17th century, aristocratic European taste moved away from imported blue and white porcelains, and people were willing to pay more for the polychrome enamels exported to Jingdezhen.

In the late 17th century, aristocratic European taste moved away from imported blue and white porcelains, and people were willing to pay more for the polychrome enamels exported to Jingdezhen.

In the late 17th century, aristocratic European taste moved away from imported blue and white porcelains, and people were willing to pay more for the polychrome enamels exported to Jingdezhen.

In the late 17th century, aristocratic European taste moved away from imported blue and white porcelains, and people were willing to pay more for the polychrome enamels exported to Jingdezhen.