1907.1 Frank Reaugh, Driving the Herd
GENERAL DESCRIPTION
Frank Reaugh was dubbed "The Rembrandt of the Longhorns" for scenes of cattle ranching such as th
2005.100, Nic Nicosia, Real Pictures #11, 1988
GENERAL DESCRIPTION
Hailing from Dallas, Texas, Nic Nicosia's practice emerged alongside a generation of 1970s photographers for which staged photography was a tool to demonstrate and interrogate the constructed nature of photographic "truth." Nicosia's staged photographs focus on the conservative middle-class domestici
2005.83, Jim Lambie, The Doors (Morrison Hotel), 2005
GENERAL DESCRIPTION
Sampling, remixing, and mashing up the formalism of fine art and popular culture, Glasgow-based artist Jim Lambie has put a fresh spin on Robert Rauschenberg's idea of "acting in the gap between art and life." A former musician, Jim Lambie draws inspiration from music for many of his works, often referring to i
2005.82.16, Richard Tuttle, Lable 1 - 16, 2002-2005
GENERAL DESCRIPTION
Perhaps more than any other post-minimalist artist, Richard Tuttle has explored the properties of materials to their limit, determining their most vulnerable state, and how they can be used to make an art of abstraction.
2005.82.15, Richard Tuttle, Lable 1 - 16, 2002-2005
GENERAL DESCRIPTION
Perhaps more than any other post-minimalist artist, Richard Tuttle has explored the properties of materials to their limit, determining their most vulnerable state, and how they can be used to make an art of abstraction.
2005.82.14, Richard Tuttle, Lable 1 - 16, 2002-2005
GENERAL DESCRIPTION
Perhaps more than any other post-minimalist artist, Richard Tuttle has explored the properties of materials to their limit, determining their most vulnerable state, and how they can be used to make an art of abstraction.
2005.82.13, Richard Tuttle, Lable 1 - 16, 2002-2005
GENERAL DESCRIPTION
Perhaps more than any other post-minimalist artist, Richard Tuttle has explored the properties of materials to their limit, determining their most vulnerable state, and how they can be used to make an art of abstraction.
2005.82.12, Richard Tuttle, Lable 1 - 16, 2002-2005
GENERAL DESCRIPTION
Perhaps more than any other post-minimalist artist, Richard Tuttle has explored the properties of materials to their limit, determining their most vulnerable state, and how they can be used to make an art of abstraction.
2005.82.11, Richard Tuttle, Lable 1 - 16, 2002-2005 copy
GENERAL DESCRIPTION
Perhaps more than any other post-minimalist artist, Richard Tuttle has explored the properties of materials to their limit, determining their most vulnerable state, and how they can be used to make an art of abstraction.
2005.82.10, Richard Tuttle, Lable 1 - 16, 2002-2005
GENERAL DESCRIPTION
Perhaps more than any other post-minimalist artist, Richard Tuttle has explored the properties of materials to their limit, determining their most vulnerable state, and how they can be used to make an art of abstraction.