Although Pierre-Auguste Renoir is often considered a figure painter, the landscapes he painted in the 1860s and 1870s were daringly experimental. In The Seine at Châtou, he fills nearly the entire canvas with water and sky.

Berthe Morisot spent the winter of 1881–1882 with her family on the Mediterranean coast in Nice, France. As she often did while traveling, Morisot brought along her plein-air (outdoor) painting kit and worked outside when the weather permitted.

Camille Pissarro captures a cold morning and the resulting veneer of frost that coats the picturesque Parisian suburb of Louveciennes, where the artist lived at the time. This painting depicts the landscape in late fall or early winter, just as the trees lose their leaves and frost begins to form. The sun rises and casts long shadows, melting the ephemeral frost.

One of only four self-portraits by Camille Pissarro, this three-quarter-length likeness was created during a particularly sorrowful time in the artist's life. In 1897, one of Pissarro's sons suffered a stroke and another died from tuberculosis. Additionally, he was plagued with the worsening of a chronic eye infection that forced him to paint indoors.

Painted from his second-floor room in the Grand Hôtel du Louvre, Camille Pissarro captures the bustling activity of a foggy winter day at the Place du Théâtre Fran

This melancholic landscape of the fishing village of Morgat was painted in 1883, on Odilon Redon's second trip to the coast of Brittany. Located about two miles from Crozon, Redon visi

Auguste Rodin’s

In I Am Beautiful, Auguste Rodin reused and