This plate is part of a set in the Reves Collection. There are festoons of thickly painted flowers about the border, and sprays elsewhere. The arms of Mawbey impaling Pratt are for Sir Joseph Mawbey who married his cousin, Elizabeth Pratt, in 1760. He was created baronet in 1765, and since these arms include a baronet's hand, they must date thereafter. 

This plate is part of a set in the Reves Collection. There are festoons of thickly painted flowers about the border, and sprays elsewhere. The arms of Mawbey impaling Pratt are for Sir Joseph Mawbey who married his cousin, Elizabeth Pratt, in 1760. He was created baronet in 1765, and since these arms include a baronet's hand, they must date thereafter. 

This plate is part of a set in the Reves Collection. There are festoons of thickly painted flowers about the border, and sprays elsewhere. The arms of Mawbey impaling Pratt are for Sir Joseph Mawbey who married his cousin, Elizabeth Pratt, in 1760. He was created baronet in 1765, and since these arms include a baronet's hand, they must date thereafter. 

This octagonal platter is part of a set in the Reves Collection. There are festoons of thickly painted flowers about the border, and sprays elsewhere. The arms of Mawbey impaling Pratt are for Sir Joseph Mawbey who married his cousin, Elizabeth Pratt, in 1760. He was created baronet in 1765, and since these arms include a baronet's hand, they must date thereafter. 

In the late 17th century, aristocratic European taste moved away from imported blue and white porcelains, and people were willing to pay more for the polychrome enamels exported to Jingdezhen.

In the late 17th century, aristocratic European taste moved away from imported blue and white porcelains, and people were willing to pay more for the polychrome enamels exported to Jingdezhen.

In the late 17th century, aristocratic European taste moved away from imported blue and white porcelains, and people were willing to pay more for the polychrome enamels exported to Jingdezhen.

In the late 17th century, aristocratic European taste moved away from imported blue and white porcelains, and people were willing to pay more for the polychrome enamels exported to Jingdezhen.

In the late 17th century, aristocratic European taste moved away from imported blue and white porcelains, and people were willing to pay more for the polychrome enamels exported to Jingdezhen.

In the late 17th century, aristocratic European taste moved away from imported blue and white porcelains, and people were willing to pay more for the polychrome enamels exported to Jingdezhen.