Object Notes

The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Calima, Quimbaya, Tolima, and Nariño in the southwest; Muisca in the central highlands southeast of Bogotá; and Zenú (Sinú) and Tairona in northwestern Colombia.

The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Calima, Quimbaya, Tolima, and Nariño in the southwest; Zenú (Sinú) and Tairona in northwestern Colombia; and Muisca in the central highlands southeast of Bogotá. The Calima region

The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Calima, Quimbaya, Tolima, and Nariño in the southwest; Muisca in the central highlands southeast of Bogotá; and Zenú (Sinú) and Tairona in northwestern Colombia. The richly varied work

The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Calima, Quimbaya, Tolima, and Nariño in the southwest; Muisca in the central highlands southeast of Bogotá; and Zenú (Sinú) and Tairona in northwestern Colombia. The richly varied work

The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Calima, Quimbaya, Tolima, and Nariño in the southwest; Muisca in the central highlands southeast of Bogotá; and Zenú (Sinú) and Tairona in northwestern Colombia. The richly varied work

The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Zenú (Sinú) and Tairona in northwestern Colombia; Muisca in the central highlands southeast of Bogotá; and in the southwest, Quimbaya, Calima, Tolima, and Nariño.

This bright, vibrant maritime scene was painted quickly, but the setting is a location Childe Hassam studied for nearly thirty years. Gloucester, Massachusetts was a popular artists' colony in the 19th and early 20th centuries.