1978.28.A-D, James Rosenquist, Paper Clip, 1973, oil and acrylic on canvas
GENERAL DESCRIPTION
James Rosenquist's Paper Clip prominently features the red flying horse (corporate logo of the Mobil Oil Company and a beacon to travelers for decades) that adorns a high-rise in downtown Dallas, Texas.
1984.52.a-b, Claes Oldenburg, Coosje van Bruggen, Stake Hitch, 1984, aluminum, steel, urethane foam
GENERAL DESCRIPTION
Commissioned for the Dallas Museum of Art's Edward Larrabee Barnes downtown building, opened in 1984, the monumental site-specific Stake Hitch embodies artist duo Claes Oldenburg and Coosje van Bruggen's proclivity for sculptures that resemble everyday objects
2016.63, N. Dash, November 1 (New York, 2013), 2013, graphite and paper
GENERAL DESCRIPTION
To create her Commuter series, artist N. Dash carries paper with her on her daily subway rides; creasing, folding, and unfolding the material in these periods of transition and pause between daily activities.
1978.4.McD Panel with feline figures (Peru, Wari)
GENERAL DESCRIPTION
Large felines like jaguars, ocelots, and pumas are common in the art of the ancient Americas and in contemporary Latin American mythology. Solitary and nocturnal, the feline is both a powerful predator and a common alter ego, or spirit double, for shamans and priests.
1977.3 Tubular bead (Linea Vieja, Costa Rica)
GENERAL DESCRIPTION
NOTES
Period VI, 1000–1500, NOT updated by KJones in TMS.
Catalogue essays
1977.2 Celt (Linea Vieja, Atlantic Watershed, Costa Rica)
GENERAL DESCRIPTION
NOTES
Period IV, 1000–1500, NOT updated by KJones in TMS.
Catalogue essays