Embroidery in African Textiles
GENERAL DESCRIPTION
By definition, embroidery is the addition of ornament using a needle and thread or yarn to decorate and enrich cloth and fabrics. Embroidery is not a technique indigenous to Africa, but spread with Islamic culture from North Africa southward beginning in the 10th century. Elaborately embroidered robes worn by Muslim men of authority were impressive and worthy of emulation.
Mixografia ® (Lithography, Printmaking)
GENERAL DESCRIPTION
In the early 1970s, established printmaker and painter Rufino Tamayo was invited by Luis and Lean Remba, owners of a print workshop in Mexico City, to produce a series of lithographs.
Stones and Beads in the Ancient Mediterranean
GENERAL DESCRIPTION
Stones adorn ancient jewelry as inlays, pendants, and beads. The harder stones are more difficult to work, but they survive better over time. Stones were first chipped into approximate shapes with various metal and harder stone tools. Flint, for instance, can cut stones as hard as quartz. Some stones were then cut to more precise shapes.
Granulation
GENERAL DESCRIPTION
Of all the techniques employed by the ancient goldsmith, granulation has proved the most difficult to reproduce. Even today, with sophisticated magnification devices, precisely controlled temperatures, and other superior technology, rarely is granulation done with the skill that was achieved in ancient times.
Cutting and Piercing
GENERAL DESCRIPTION
Both cutting and piercing of sheet gold were accomplished in ancient times by means of small chisels. Some holes may have been drilled.
Stamping and Punching
GENERAL DESCRIPTION
Similar to repoussé, stamping was used to make a repeated decoration in sheet metal. A punch with the desired design in relief was repeatedly hammered into a yeilding surface such as pitch, or into a negative mold. The process allowed the jeweler to reproduce identical decorations.