_A Pulviscolo_ Granulation (Etruscan jewelry technique)


GENERAL DESCRIPTION
A few Etruscan workshops practiced a pulviscolo, or "fine dust" granulation on their jewelry. In this technique, the granules are so small that they cannot form regular patterns, but rather have to be applied at random. Whole areas may be covered with dust granulation, giving a distinct texture to the surface. Good examples are the leaf-shaped ornaments attached to a pair of earrings (1968.13.a-b) and the less fine granulation in the center of the shield-like extension of another pair (1991.75.11.a-b). In silhouette-style a pulviscolo, the granulation forms figures set against a plain background. A rare technique is the reversed silhouette style, in which the background is completely covered with granules while the main features — in this case palmettes on the front and an undulating band on the side — are left undecorated, as seen in an example from the Dallas Museum of Art's collection (1991.75.12.a-b).

Adapted from
Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 33.

NOTES
  • title should be italic

ASSOCIATED CONTENT CHUNKS (list applicable note links)

AUDIO ASSETS 

VIDEO ASSETS  

IMAGE ASSETS 

WEB RESOURCES 

ARCHIVAL RESOURCES (digitized/non-digitized)

FUN FACTS 

TEACHING IDEAS 

RULES
set operator as OR
apply to objects where number equals 1968.13.a-b
apply to objects where number equals 1991.75.11.a-b
apply to objects where number equals 1991.75.12.a-b
apply to content where content contains pulviscolo


rules_operator
OR
General Description
A few Etruscan workshops practiced a pulviscolo, or "fine dust" granulation on their jewelry. In this technique, the granules are so small that they cannot form regular patterns, but rather have to be applied at random. Whole areas may be covered with dust granulation, giving a distinct texture to the surface. Good examples are the leaf-shaped ornaments attached to a pair of earrings (1968.13.a-b) and the less fine granulation in the center of the shield-like extension of another pair (1991.75.11.a-b). In silhouette-style a pulviscolo, the granulation forms figures set against a plain background. A rare technique is the reversed silhouette style, in which the background is completely covered with granules while the main features — in this case palmettes on the front and an undulating band on the side — are left undecorated, as seen in an example from the Dallas Museum of Art's collection (1991.75.12.a-b).

Adapted from
Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 33.

Fun Facts
 
Archival Resources
(digitized/non-digitized)
Web Resources
 

Notes
  • title should be italic

rules
Apply To
Objects
number
Equals
1968.13.a-b
Apply To
Objects
number
Equals
1991.75.11.a-b
Apply To
Objects
number
Equals
1991.75.12.a-b
Apply To
Content
content
Contains
pulviscolo
tags
#draft
#completed
%copyedited_Gail
*Classical Art
@Bowling
jewelry: AAT: 300209286
goldwork: AAT: 300044045
gold (metal): AAT: 300011021
Etruscan (culture or style): AAT: 300020471
granulation: AAT: 300054021
source file
materials_and_techniques-0068.xml.nores