These blocks of color are in many ways the epitome of abstraction, a key focus of Gerhard Richter’s later work; yet, these particular colors, when placed in conjunction, echo the German flag.

In Un-Painting (Gray), Gerhard Richter smeared liquid paint with his finger in numerous strokes onto synthetic paper. While his gesture was captured in the traces that remain, the title points more to destruction than creation.

Notorious for adopting an attitude of indifference toward his subject matter, Gerhard Richter’s Loo Paper presents an ordinary roll of toilet paper as an appropriate subject

Glassmaking is America's first industry, with evidence of a glass workshop in operation in Jamestown, Virginia, in 1608. Despite its early establishment, the nascent American glass industry concentrated primarily on window panes and utilitarian glassware during the 17th and 18th centuries due to the competition from England and continental European imports.

The Dallas Glass Club was founded in 1937 and is one of the oldest of its type in the United States. Since the club's organization, its members have devoted themselves to the study and preservation of glass made in the U.S. During the past half century, the club formed a corporate collection containing over two hundred pieces of glass which it presented to the Dallas Museum of Art in 1992.

Everything and More explores the visual and bodily sensations of space travel and self-awareness. As a foundation for the work, Rose uses interviews she conducted with David Wolf, a NASA astronaut, in which he describes seeing the Earth from space for the first time.