Object Notes

The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.

The squared-off forms of the back of this chair, with its classically inspired details, mark a dramatic stylistic departure from the deeply carved, sculptural forms common to mid-18th century furniture.

The front of this chest of drawers seems to move in and out, punctuated at each segment by a brass handle or lock escutcheon. This "swelled," or blocked, front design was especially popular in Boston and Newport during the mid-18th century.

This cast brass ornament from a warrior’s headdress depicts a stylized crouching figure with round, hollow eyes, circular nostrils, and an open, anguished mouth. Such headdress ornaments served both as protective charms and as emblems of rank.

The exaggerated brow and elongated jawline on the massive head of this small-bodied figure suggest that it was originally meant to be seen at a height well above eye level.

Batak people used bags of fur or leather as containers for tobacco or betel nut utensils. Usually fitted with brass chains that served as handles, the bags were reinforced with brass elements at the sides, opening, and base.

Possessing potent magical charm, the skulls of slain enemies were hung from elegantly formed hooks like this one. The hooks were suspended from the rafters of the longhouse, where they were part of an altar where prayers and sacrificial offerings were made.

This cast bronze kettle from Brunei is decorated with symbols that reflected Dayak ideas about wealth, prestige, and even supernatural power. The two large seated figures holding swords at the base of the handle represent warriors.

Although they survive as fragments, these pieces can be appreciated for their sculptural form and intricately incised decoration.