Object Notes

2013.38.4 Manilla


GENERAL DESCRIPTION  
Manillas are open, cast "brass" bracelets originally manufactured in Europe. They were introduced by foreign merchants and circulated in West Africa from the 15th to the early 20th century. Small manillas were melted and recast into larger sizes or recast into works of art.

2013.38.3 Manilla


GENERAL DESCRIPTION  
Manillas are open, cast "brass" bracelets originally manufactured in Europe. They were introduced by foreign merchants and circulated in West Africa from the 15th to the early 20th century. Small manillas were melted and recast into larger sizes or recast into works of art.

2013.38.2 Manilla


GENERAL DESCRIPTION  
Manillas are open, cast "brass" bracelets originally manufactured in Europe. They were introduced by foreign merchants and circulated in West Africa from the 15th to the early 20th century. Small manillas were melted and recast into larger sizes or recast into works of art.

1969.S.39.a-b Gunpowder container


GENERAL DESCRIPTION  
This pear-shaped container is entirely decorated with incised vertical, horizontal, and semicircular ribs, alternating with delicate cross-hatching, that occur not only on the sides but under the round foot as well. It was once filled with black gunpowder used in a flintlock muzzle-loading musket—a type of firearm that was introduced through trade in the 17th century.

2.1996.3 Bwoom helmet mask

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GENERAL DESCRIPTION  
These masks represent the royal ancestors of the Bushoong, the ruling group within the Kuba kingdom founded in the 17th century. According to one version of the founding myth, Woot was the first man and the first king of the Kuba. Weel was his sister and wife, and Bwoon was his brother and rival.

2014.4.2.McD Headcrest


GENERAL DESCRIPTION  
This dramatic headcrest features lifelike facial features that the sculptor achieved by stretching damp antelope skin tightly over carved contours. Painting the eyebrows and adding pupils and teeth also adds to the illusion of naturalism.

13.2012.1 Seated male figure depicting a European

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GENERAL DESCRIPTION  
This figure demonstrates the sculptor's keen sense of observation and attention to anatomy and clothing. The Africans called Europeans mindele, or "those in cloth," because they wore unnecessary cloths. The sculptor depicted his subject with a haughty facial expression and hair hanging in straight locks beneath his hat.